The Wick List

Viewing Rob and Nick Carter: Aurora: Light in Motion at The Berkeley

Continuing our festive outdoor artworks this week, head to Knightsbridge to see Rob and Nick Carter’s recently unveiled Aurora: Light in Motion.

Transforming the entrance of The Berkeley into a luminous, kinetic celebration of light and motion, the installation uses 150 bespoke neon beams, arranged in a dynamic sculptural architecture that literally responds to people arriving and leaving the hotel.

The effect is a living tapestry of colour and atmosphere: but this isn’t just decoration. Aurora reframes the idea of “festive light”, inhabiting the architecture, blending engineering, environment, and human presence. In the Carters’ own words, the work is “a quiet choreography of colour that welcomes guests and subtly transforms with their movement.”

In tandem, Rob and Nick Carter also present an exhibition of their neon light works at their studio gallery RNat5A until January 9th, a focused presentation that demonstrates their ongoing interest and experimentation with neon-based works, colour theory and optical illusion.

Share story
READ MORE
The Wick Culture - David Bowie, Debbie Doss, Hammersmith 1973. Courtesy of Lightroom
The Wick List

Viewing David Bowie: You're Not Alone

The Wick Culture - © VG Bild-Kunst, Bonn 2026. Photo © White Cube (Theo Christelis)
The Wick List

Viewing Katharina Grosse: I Set Out, I Walked Fast

The Wick Culture - Courtesy of Annie Shead and FreddieFoulkes Gallery
The Wick List

Viewing 9,983 Rows: Annie Shead

The Wick Culture - Onomatopoeia, 2026. © Liza Lou. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Milan · Seoul. Photo: Joshua White
The Wick List

Viewing Liza Lou: FAQ

The Wick Culture - Courtesy of V&A Dundee
The Wick List

Viewing Catwalk: The Art of the Fashion Show

The Wick Culture - David Hockney, Abstraction Resting on a Red and White Checkered Tablecloth, 2025. Acrylic on canvas, 36 x 48 in. (91.4 x 121.9 cm) © David Hockney. Photo: Prudence Cuming
The Wick List

Viewing A Year in Normandie and Some Other Thoughts about Painting