The art of Jennifer Packer, which includes portraits, interior scenes and flower paintings, has been addressing contemporary issues, from Black representation and systemic racism to the privilege of viewership, since she graduated from her MFA programme at Yale School of Art in 2012.

The Body Has Memory (2018) depicts a man in a hooded sweatshirt sitting alone on a sofa, with hands clasped, ankles crossed and solemn, downcast eyes. Its intimacy takes you completely by surprise, draws you in and stirs your soul.

For Packer, clothes and objects are more than decorative distraction. ‘I’m interested in signifiers and how they function historically,’ she has explained. ‘I want them to have an equal presence, a power.’