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The Wick - Discover Pauline Boty, The Only Blonde in the World, 1963
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Discover Pauline Boty, The Only Blonde in the World, 1963

Pauline Boty, The Only Blonde in the World, 1968

Along with her peers David Hockney and Peter Blake, Pauline Boty spearheaded a second wave of British Pop, capturing the rebellious energy of the Swinging Sixties through new techniques such as collage.

She brought a female perspective to the fledgling movement and addressed contemporary issues, including gender, identity and sexuality in her bold, vibrant Pop pieces.

This striking painting shows Marilyn Monroe — the ultimate sex symbol of the 1950s and early 1960s — pinned between two fields of abstract forms. Dare you say your instinctive, first response?

Largely forgotten in the decades after her death (Boty died of cancer, aged only 28), her work is now enjoying an uptick in interest. It’s gratifying that Britain’s first female Pop artist is finally getting the widespread recognition she deserves.

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The Wick - Ophelia, Stanley William Hayter, 1936
Photo © Tate, London 2024
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Dream Opelia, 1936 by Stanley William Hayter

The Wick - Yayoi Kusama 
Narcissus Garden, 1966
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Discover Narcissus Garden, 1966, by Yayoi Kusama

The Wick - Discover Pauline Boty, The Only Blonde in the World, 1963
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The Wick - Oeuvre (Verdigris), 2018, by Gavin Turk
Photograph: Courtesy of Gavin Turk’s studio and Ben Brown Fine Arts
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The Wick - No. 299, 29th April 2020 by David Hockney
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