The Wick Culture - Lucie Kitchener The Wick Culture - Lucie Kitchener

Interview Masterpiece London’s Lucie Kitchener

Interview
Lucie Kitchener
27 June 2022
Interview
Lucie Kitchener
27 June 2022
Masterpiece London, the world’s leading cross-collecting fair, returns this week to the South Grounds of the Royal Hospital Chelsea, running from 30 June – 6 July. It will be the first physical Masterpiece London since 2019, and will see 120 galleries and dealers make their way to the heart of London.

Managing director Lucie Kitchener joined the fair in January 2017 as acting managing director, before taking on the role permanently in December 2017. After previously working as a partner at Kennedy Dundas, managing director at The Rug Company and bespoke furniture and design business David Linley & Co, she brought over a decade of experience in the luxury goods and services sectors with her.

She shares what to expect from this year’s fair and her top tips for getting the most out of it.

THE WICK:   Talk us through your typical Monday.

Lucie Kitchener:   There is no typical day; at the moment it will start and end on-site at the Royal Hospital as we are building the fair, which opens on June 29. I’ll have a team catch-up focusing on what galleries are bringing, our partners’ plans and our talks programme. Our vetting, which involves over 170 experts from around the world, takes place at the fair before we open, but a lot goes on beforehand to make this seamless on the day.

TW:   How did you first get involved in Masterpiece?

LK:   I was originally asked by the board to lead a strategic project for them in 2016 and never left, taking over as CEO in January 2017.

TW:   You hold several board positions. How do these roles influence you?

LK:   Masterpiece is an extraordinary team effort both internally and through working with the best galleries from around the world. Having the opportunity to sit on other boards reinforces my belief in collaboration and mutual support, often sparking new ideas and giving a valuable broader context for what we are trying to achieve.

TW:   What are you most looking forward to at Masterpiece 2022?

LK:   Being back in person. We have a strong female influence this year: Masterpiece Presents features two monumental light installations by Pakistani-American artist Anila Quayyum Agha; Melanie Vandenbrouck, curator of sculpture at the V&A, has curated our Sculpture Series; Sarah Graham is transforming our entrance with a large-scale reinterpretation of her recent work and a newly commissioned piece by Lakwena Maciver will be featured as a special exhibit within the fair. There is a lot to look forward to.

“The last couple of years have reminded us all that there is nothing that matches seeing works of art in person alongside stimulating conversations with each other and the experts.”

TW:   What would be your top three tips for visiting an art fair? 

LK:   Talk to the exhibitors. Their depth of knowledge and passion is unparalleled – and there is no question too obscure.

Take your time, and walk onto every stand. One of the things that makes Masterpiece so extraordinary is the opportunity to see objects spanning 6,000 years in one place from all over the world.

Wear comfortable shoes.

TW:   What do you think the future of art fairs looks like?

LK:   Exciting. Digital developments are shaping the future of fairs but the last couple of years have reminded us all that there is nothing that matches seeing works of art in person alongside stimulating conversations with each other and the experts.

TW:   Luxury firms are often heavily involved in the art world, sponsoring individual artists or hosting exhibitions. What do you think is driving this interest?

LK:   I think luxury is a very overused word but there are clearly synergies between exceptional jewellery and couture, art and design. We see visitors’ enthusiasm for our multidisciplinary format, and people’s passion for beauty, authenticity and uniqueness transcend traditional art forms. 

TW:   What’s your favourite culturally curious spot in London?

LK:   Sir John Soane’s Museum.

TW:   What’s your favourite piece of art in your collection?

LK:   That’s difficult. Can I have two? The piece I love the most is a bronze I bought at Masterpiece in 2018 from Sladmore Contemporary by Mario Dilitz – ‘Girl with pillow’. It is beautiful and haunting and reminds me every day of the displacement and loss faced by so many.

The piece I am most attached to is a painting of the church in the village where I grew up and got married that I commissioned from Luke Piper (John Piper’s grandson). I gave it to my late husband on our tenth wedding anniversary and it hangs with one of his grandfather’s paintings that my mother gave my father.

TW:   Who would be your ultimate Monday Muse?

LK:   I admire Louise Bourgeois. She is one of the great figures of contemporary art – ferocious, committed and serious with a touch of humour. She’s been a pioneering sculptor for eight decades – a traditionally male-dominated artform. Her multidisciplinary approach reminds me of the importance of cross-collecting, which is at the core of Masterpiece.


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