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Viewing Frieze New York at The Shed

The Wick Culture - Frieze New York 2025. Image courtesy of Frieze

Above Frieze New York 2025. Image courtesy of Frieze

Frieze New York

The Shed
7 – 11 May 2025

The international event of the art world week is Frieze New York, returning to The Shed in Manhattan from 7th to 11th May with sixty-five of the world’s leading contemporary art galleries, as well as a myriad of special projects and satellite events taking over the city.Christine Messineo, director of Frieze New York and Frieze Los Angeles, promises: “dynamic voices that shape today’s art world engage with the best and the brightest in New York City’s rich cultural landscape. The result is an experience that deepens one’s understanding and enjoyment of contemporary art.”

The Wick is particularly looking forward to this year’s Focus section, twelve exhibitors from around the world present solo shows by emerging artists, led by New York-based curator and writer Lumi Tan – the woman behind the traveling amusement park, Luna Luna. Focus this year includes sublime textiles by Citra Sasmita, the Balinese artist currently exhibiting at the Curve at the Barbican.

In a similar vein, also noteworthy are artists from the Americas, such as Pia Camil (presented by both OMR and Instituto de Visión), Claudia Alarcón, Maria Nepomuceno and Beatriz Milhazes (presented by Fortes D’Aloia & Gabriel), revealing environmental connections expressed through community-making, with nods to inherited ancestral making practices.

Viewing Suzanne Blank Redstone: Catching Light at CLOSE Gallery

The Wick Culture - Suzanne Blank Redstone, Lifelines (PASSING THROUGH-JACK'S LIFE), 2017, Powdercoated aluminium on painted tricoya, 183 x 122 x 17cm. Image courtesy of the artist and CLOSE
gallery.

Above Suzanne Blank Redstone, Lifelines (PASSING THROUGH-JACK’S LIFE), 2017, Powdercoated aluminium on painted tricoya, 183 x 122 x 17cm. Image courtesy of the artist and CLOSE gallery.

The Wick Culture - Suzanne Blank Redstone, Red Square, 1969, Acrylic on plaster, 29.5 x 30.5 x 5cm. Image courtesy of the artist and CLOSE gallery.

Above Suzanne Blank Redstone, Red Square, 1969, Acrylic on plaster, 29.5 x 30.5 x 5cm. Image courtesy of the artist and CLOSE gallery.

The Wick Culture - Suzanne Blank Redstone, The Core, 2019, Powdercoated aluminium on painted tricoya, 144 x 91 x 17cm. Image courtesy of the artist and CLOSE gallery.

Above Suzanne Blank Redstone, The Core, 2019, Powdercoated aluminium on painted tricoya, 144 x 91 x 17cm. Image courtesy of the artist and CLOSE gallery.

The Wick Culture - Suzanne Blank Redstone, Circles & Lines, 2017, Polished stainless steel and powdercoated aluminium on painted tricoya, 122 x 122 x 20cm. Image courtesy of the artist and CLOSE gallery.

Above Suzanne Blank Redstone, Circles & Lines, 2017, Polished stainless steel and powdercoated aluminium on painted tricoya, 122 x 122 x 20cm. Image courtesy of the artist and CLOSE gallery.

The Wick Culture - Suzanne Blank Redstone, Red & Yellow, 1969, Acrylic on plaster, 29 x 30 x 5cm. Image courtesy of the artist and CLOSE gallery.

Above Suzanne Blank Redstone, Red & Yellow, 1969, Acrylic on plaster, 29 x 30 x 5cm. Image courtesy of the artist and CLOSE gallery.

Above Suzanne Blank Redstone, Lifelines (PASSING THROUGH-JACK’S LIFE), 2017, Powdercoated aluminium on painted tricoya, 183 x 122 x 17cm. Image courtesy of the artist and CLOSE gallery.

Above Suzanne Blank Redstone, Red Square, 1969, Acrylic on plaster, 29.5 x 30.5 x 5cm. Image courtesy of the artist and CLOSE gallery.

Above Suzanne Blank Redstone, The Core, 2019, Powdercoated aluminium on painted tricoya, 144 x 91 x 17cm. Image courtesy of the artist and CLOSE gallery.

Above Suzanne Blank Redstone, Circles & Lines, 2017, Polished stainless steel and powdercoated aluminium on painted tricoya, 122 x 122 x 20cm. Image courtesy of the artist and CLOSE gallery.

Above Suzanne Blank Redstone, Red & Yellow, 1969, Acrylic on plaster, 29 x 30 x 5cm. Image courtesy of the artist and CLOSE gallery.

Suzanne Blank Redstone: Catching Light

CLOSE Gallery
Somerset, TA3 6AE
10 May – 28 June 2025

Head out to the pretty village of Hatch Beauchamp in rural Somerset this weekend for a rare exhibition celebrating the decades-long practice of Suzanne Blank Redstone, an American-born, UK-based artist who has made light her muse.

Continuing their programme bringing attention to overlooked artists and in particular women, CLOSE has organised an in-depth and awe-inspiring look at Redstone’s sixty year career to date (the artist turns 80 this year), from early plaster reliefs to light sculptures, works that explore timeless themes of colour, form and energy.

It’s an exhibition that will also never look quite the same on any two visits, evolving with the environment. As Redstone puts it: “my practice is concerned with interrupting the available light that surrounds us, creating environments that attract, catch and release light to produce a changing visual experience.”

Viewing Encounters: Giacometti x Huma Bhabha at the Barbican Centre

The Wick Culture - Installation view of Giacometti x Huma Bhabha. Image courtesy of Barbican Centre

Above Installation view of Giacometti x Huma Bhabha. Image courtesy of Barbican Centre

The Wick Culture - Alberto GIACOMETTI Trois hommes qui marchent [petit plateau], Three Walking Men [Small Square], 1948. Image courtesy of Fondation Giacometti

Above Alberto GIACOMETTI Trois hommes qui marchent [petit plateau], Three Walking Men [Small Square], 1948. Image courtesy of Fondation Giacometti

The Wick Culture - Huma Bhabha, What Should it Be, 2024. Photo by Kerry McFate. Image courtesy of the artist and David Zwirner Gallery

Above Huma Bhabha, What Should it Be, 2024. Photo by Kerry McFate. Image courtesy of the artist and David Zwirner Gallery

Above Installation view of Giacometti x Huma Bhabha. Image courtesy of Barbican Centre

The Wick Culture - Alberto Giacometti, Femme debout
Standing Woman, 1957. Image courtesy of Fondation Giacometti

Above Alberto Giacometti, Femme debout Standing Woman, 1957. Image courtesy of Fondation Giacometti

The Wick Culture - Huma Bhabha, Feel the Hammer, 2024. Photo by Kerry McFate. Image courtesy of the artist and David Zwirner Gallery

Above Huma Bhabha, Feel the Hammer, 2024. Photo by Kerry McFate. Image courtesy of the artist and David Zwirner Gallery

Above Installation view of Giacometti x Huma Bhabha. Image courtesy of Barbican Centre

Above Alberto GIACOMETTI Trois hommes qui marchent [petit plateau], Three Walking Men [Small Square], 1948. Image courtesy of Fondation Giacometti

Above Huma Bhabha, What Should it Be, 2024. Photo by Kerry McFate. Image courtesy of the artist and David Zwirner Gallery

Above Installation view of Giacometti x Huma Bhabha. Image courtesy of Barbican Centre

Above Alberto Giacometti, Femme debout Standing Woman, 1957. Image courtesy of Fondation Giacometti

Above Huma Bhabha, Feel the Hammer, 2024. Photo by Kerry McFate. Image courtesy of the artist and David Zwirner Gallery

Encounters: Giacometti x Huma Bhabha

Level 2
Barbican Centre
8 May – 10 August 2025

London’s big opening of the week is the first in the exciting new Encounters series, co-organised by the Barbican with the Giacometti Foundation, bringing three contemporary artists into scintillating dialogues with the iconic 20th century sculptor.

Inhabiting a new gallery space on the second floor – once the Barbican’s restaurant, now opened up as an exhibition space for the first time – twelve works by the Pakistani-American artist are displayed with ten pieces by Giacometti, highlighting similarities and differences between the two artists, and creating new tensions and conversations between them.

Bhabha has often cited Giacometti as an inspiration for her own eerie, ominous and enthralling assemblage-type figurative sculptures using found objects. This is the first time she has presented works together with the late Swiss sculptor, and her first exhibition in London since 2016. There is also a chance to see four huge, totemic bronze cast works by Bhabha for free, installed in the foyer between the exhibition space and the library.