Our top picks of exhibitions together with cultural spaces and places, both online and in the real world.


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Viewing If Only These Walls Could Talk

Now’s your chance to peek inside the legendary Hotel Nord-Pinus in Arles, which has over the years welcomed such celebrated names as Picasso, Van Gogh and Helmut Newton, who shot his iconic 1973 Vogue shoot with Charlotte Rampling in Suite 10. This room was also the place where celebrated bullfighters including Luis Miguel Dominguín greeted their adoring crowds from the balcony.

Zip over to Alon Zakaim on Cork Street, where you’ll find 27 black-and-white images shot in the hotel by London-based Iranian photographer Maryam Eisler. In this new series, photographed in between lockdowns in 2021, Eiseler continues her explorations into the ‘Sublime Feminine’ and the architecture of the female form.

You’ll see works showing Eisler’s muses feasting nonchalantly on oysters and smoking cigars whilst posing in front of magasins de vin. Also included are four works showing a matador being lured away from his arena by two women in sumptuous evening gowns.

Eisler’s muses are unapologetic about their passion, sensuality and strength. And we’re here for it. Bravo.

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Dates
02 November 2022 — 24 November 2022

Viewing Koestler Arts: Freedom

To mark the 60th anniversary of the Koestler Awards, Koestler Arts presents an ambitious exhibition of works by nearly 3000 artists in the UK’s criminal justice system curated by Ai Weiwei.

Installed in the Royal Festival Hall in London’s Southbank Centre, Freedom features works spanning a variety of categories and media that explore the impact of curtailed freedom, while showing the extent of human resilience when put in extreme circumstances.

‘This exhibition focuses on the role that the act of thinking and creating plays in life under constraints,’ said Ai, who visited different prisons in the UK including HM Prison Wormwood Scrubs which is situated next to the Koestler Arts Centre. ‘I hope that this exhibition can inspire people to reflect upon the loss of freedom and those that continue to create art to fight for space in life and freedom of expression despite adversity.’
The exhibition space will take the form of 15 cell-like spaces that are based on the size of a typical cell in a UK prison, with each cell containing between 78 and 131 artworks. At certain points during the day, quotes from displayed artists will be played out loud.

‘I’ve seen on countless occasions how art can be a space for personal liberation and growth,’ said Mark Ball, Artistic Director of the Southbank Centre. ‘A belief that is made manifest by the extraordinary work of Koestler Arts.’ We can’t think of a better exhibition to get behind.

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Dates
27 October 2022 — 18 December 2022

Viewing Taylor Wessing Photographic Portrait Prize 2022

Returning to Cromwell Place in South Kensington this autumn is the Taylor Wessing Photographic Portrait Prize exhibition 2022, featuring work by the three shortlisted photographers, Clémentine Schneidermann, Haneem Christian and Alexander Komenda, alongside the other final selected entries.

‘The 51 final selected submissions are a remarkable collection of images that reflect the competition’s international reach and demonstrate an extraordinary variety of themes and styles within the parameters of photographic portraiture,’ said Nicholas Cullinan, Director of the National Portrait Gallery.

French photographer Clémentine Schneidermann won first prize for two portraits from her series ‘Laundry Day’, which document the daily chores of her neighbour in South Wales, navigating life in lockdown. ‘They document micro events which deal with the passage of time through the small moments of our daily lives,’ said Schneidermann.

Second prize was awarded to South African poet and artist Haneem Christian for Mother and Daughter and Rooted, photographs from two different series which explore themes of queerness and transness in relation to family, race and identity. The judges praised the works for their striking yet tender composition, and the deep trust visible between the sitters and the photographer.

Alexander Komenda won third prize for Zahid’s Son, a poignant portrait from his ongoing series, The Lost Enchiridion of the Fergana Valley, that examines themes of identity and the post-Soviet landscape in Kyrgyzstan.

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Dates
27 October 2022 — 18 December 2022
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