The Design Museum’s Wes Anderson: The Archives is a landmark retrospective of the feted filmmaker. Created in collaboration with La Cinémathèque française and curated by Johanna Agerman Ross and Lucia Savi (with Matthieu Orléan), it offers an unprecedented look at three decades of Anderson’s work, showcasing over 700 objects drawn from his personal archive.
Visitors can explore storyboards, polaroids, sketches, and handwritten notebooks, as well as miniature sets, stop-motion puppets, and dozens of costumes from key films. The Wick’s highlights include a stunning, candy-pink three-metre-wide model of The Grand Budapest Hotel, the Fendi fur coat worn by Margot Tenenbaum in The Royal Tenenbaums, vending machines from Asteroid City, and of course, Mr. Fox in his signature corduroy suit.
The exhibition is laid out film-by-film, tracing Anderson’s evolution from early shorts like Bottle Rocket (screened as part of the show) through to his most recent work. In addition to finished props and sets, rarely work-in-progress maquettes and learn about Anderson’s love of hands-on techniques, particularly in stop-motion animation. A dazzling dive into Anderson’s signature aesthetic and symmetry that underscores how design, craft, and narrative intertwine in his incredible, irresistible work.
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Dates
11 November 2025 — 26 July 2026
Viewing Chantal Joffe: I Remember at Victoria Miro
Above Chantal Joffe, Sanibel, 2025. Courtesy the artist and Victoria Miro
Above Installation view, Chantal Joffe: I Remember. Courtesy the artist and Victoria Miro
Above Chantal Joffe, Matrushka Dolls, 2025. Courtesy the artist and Victoria Miro
Above Installation view, Chantal Joffe: I Remember. Courtesy the artist and Victoria Miro
Above Chantal Joffe, Divers, 2025. Courtesy of the artist and Victoria Miro
Above Chantal Joffe, Sanibel, 2025. Courtesy the artist and Victoria Miro
Above Installation view, Chantal Joffe: I Remember. Courtesy the artist and Victoria Miro
Above Chantal Joffe, Matrushka Dolls, 2025. Courtesy the artist and Victoria Miro
Above Installation view, Chantal Joffe: I Remember. Courtesy the artist and Victoria Miro
Above Chantal Joffe, Divers, 2025. Courtesy of the artist and Victoria Miro
Chantal Joffe’s exhibition of new, large-scale paintings has just been unveiled at Victoria Miro’s Wharf Road gallery. The works see the painter revisit the 1970s through the family photo album. It is an emotional and evocative journey into the past, contemplating themes of memory, loss, time and the delicate dynamics of family life.
Joffe’s late parents were South African and migrated to the US, where she was born, to escape repercussions for their anti-apartheid activism. The photographs capture the early years of their life in New England, familiar scenes of festivities, birthdays, Christmas, births, holidays, fancy dress – but also the occasional imperfect moment where something is off, sometimes suggested in Joffe’s mother’s gaze, such as a painting where her three daughters sit on the lap of another younger woman.
The work continues Joffe’s persistent interest in painting from photographs, in family and the mysterious ways memory works. “These paintings are a sort of memoir of my childhood and of my family, an attempt at a kind of time travel. When I am making them, it’s almost as if I am existing in that past.” The artist said.
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Dates
14 November 2025 — 17 January 2026
Viewing Second Lives at Fitzrovia
Above Jyll Bradley, Self-Portrait 1987-2024, Photograph from original negative, 2024
Above Lucille Lewin, Pale Transience I & II, porcelain, 2022, photo credit James Champion
Above Maryam Eisler, Sous le Soleil de la Namibie, photographic print, 2025
Above Nicole Farhi, Pile Ou Face, Bronze, Dark patina one side, Highly polished other side, Edition 1_3
Above Helen Beard, Tender Is The Night, oil on canvas, 2025
Above Jyll Bradley, Self-Portrait 1987-2024, Photograph from original negative, 2024
Above Lucille Lewin, Pale Transience I & II, porcelain, 2022, photo credit James Champion
Above Maryam Eisler, Sous le Soleil de la Namibie, photographic print, 2025
Above Nicole Farhi, Pile Ou Face, Bronze, Dark patina one side, Highly polished other side, Edition 1_3
Above Helen Beard, Tender Is The Night, oil on canvas, 2025
Fitzrovia
14 Percy Street, W1T 1DR
Wednesday 19 November – Monday 24 November 2025
Many famous and leading artists have fascinating pasts – and many, due to life circumstances or otherwise, only set upon their creative career later in life. A new group exhibition, running to 24th November at 14 Percy Street, considers the impact, implication and inspiration behind starting a so-called second life in art.
The exhibition brings together painting, sculpture, photography and installation – more than fifty works are presented in all – by ten artists, all of them shaped significantly by their life experiences and precious careers.
They include Lucille Lewin, founder of Whistles and former Creative Director of Liberty, now creating abstracted sculptural forms; Nicole Farhi, whose celebrated fashion career has evolved into evocative bronze and plaster sculptures; and former The Long Blondes lead singer, Kate Jackson.
Don’t miss tomorrow’s in conversation event between Maryam Eisler and Carrie Scott, and an opportunity to deliver deeper into the journeys and practices of Farhi, Lewin, in a panel discussion lead by critic Hettie Judah on Friday.