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Viewing Art Basel Hong Kong

A highlight of the contemporary art calendar, Art Basel Hong Kong draws international crowds to Asia-Pacific for four days showcasing the breadth and diversity of galleries resident in the region alongside global artistic perspectives. This year, 240 world-class galleries from 42 countries will be present in a staggering display across the vast spaces of the Hong Kong Exhibition and Convention centre.

With familiar sectors to Basel’s other fairs, beyond the main gallery section, Discoveries is where you’ll find newly commissioned works, shown for the first time at the fair: including Thai artist, Tanat Teeradakorn – shown in London last year at Gasworks – who creates audio collages, textile works, performance and video to transform Thai history into stories and songs of resistance. We can’t wait to see his new work at Bangkok CityCity Gallery’s booth.

Elsewhere, the fair offers large-scale projects at Encounters, always awe-inspiring and crowd-pleasing: the line-up this year features Pacita Abad and Pio Abad, Jon Rafman and Liam Gillick. Of course, the whole of the city will be activated with events, shows and screenings too, and beyond the fair galleries and institutions are hosting a special programme, with artists talks and discussions, with topics ranging from what is driving Chinese collectors today to exhibitions on ritual, trauma and allegory.

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Dates
28 March 2025 — 30 March 2025
At 87, Arpita Singh is long overdue her first solo exhibition outside of her native India, and it comes at last in this major staging at Serpentine’s spectacular North Gallery. In a painting career that has spanned six decades, during which Singh has created non-stop, there was ample choice for what to show: this exhibition works chronologically and like a retrospective, moving from her earliest oil and charcoal works to more recent watercolour paintings.

Singh’s paintings have dabbled in various genres, and often return to Bengali folk art and Indian myths and stories, weaving into these ancient collective tales her own personal perspectives on the conflicts and chaos of her lifetime. The exhibition also positions Singh’s work in connection to feminism and her consistent focus on female agency, and themes including motherhood, ageing, female sexuality, resistance and violence.

Singh’s slightly surreal works with their shimmering palettes and delicate details rendered in sketchy, intuitive lines are also expressions of a deep inner world. As Singh herself says of the exhibition: “Remembering draws from old memories from which these works emerged. Whether I am aware or not, there is something happening at my core. It is how my life flows.”

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Dates
20 March 2025 — 27 July 2025
Former fashion designer Nicole Farhi, CBE, has practiced as a sculptor since the 1980s, when she began her eponymous fashion label. Since retiring from the fashion industry, Farhi has dedicated herself full time to the medium, with her first solo exhibition taking place in 2019.

Clay busts have long been the focus of Farhi’s sculpture, and this new body of work on display at Pitzhanger Manor & Gallery includes twenty-five new hand-sculpted ceramic busts. All of the figures portrayed, spanning a history of 125 years, have a common experience – they have been wrongfully convicted. Honouring these victims of miscarriages of justice – the result of two years of research Farhi has undertaken – she preserves their stories and the impact they have had – such as the case of Timothy Evans, whose wrongful execution in 1950 for the murder of his wife and daughter eventually led to the abolishment of capital punishment in the UK.

This exhibition introduces new themes to Farhi’s evolving practice as a sculptor. Alongside the carefully crafted and handpainted new busts, Farhi has included archival materials and documentation related to each of the cases, often shocking and tragic accounts, restoring the humanity and individuality of these people, many of whom have been neglected by history.

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Dates
19 March 2025 — 15 June 2025
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