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Viewing Mika Tajima, Regulation at Simon Lee Gallery
Above Mika Tajima: Regulation at Simon Lee Gallery
Art D’Ameublement Karake
Above Mika Tajima: Regulation at Simon Lee Gallery
Anima
Above Mika Tajima: Regulation at Simon Lee Gallery
Negative Entropy RSK Sanyo Broadcasting Master Control Switchboard Blue Hex
Above Mika Tajima: Regulation at Simon Lee Gallery
Negative Entropy Inscape Beginning Meditation Pale Orange Double
Above Mika Tajima: Regulation at Simon Lee Gallery
Art D’Ameublement Karake
Above Mika Tajima: Regulation at Simon Lee Gallery
Anima
Above Mika Tajima: Regulation at Simon Lee Gallery
Negative Entropy RSK Sanyo Broadcasting Master Control Switchboard Blue Hex
Above Mika Tajima: Regulation at Simon Lee Gallery
Negative Entropy Inscape Beginning Meditation Pale Orange Double
Mika Tajima: Regulation
Simon Lee Gallery
12 April — 8 May
Founded in London in 2002, Simon Lee Gallery has made its name championing artists who share a broad interest in the conceptual. In April works by the New-York based conceptual artist, Mika Tajima will be installed in its London space.
For her debut solo exhibition in the UK, Tajima presents new paintings, textile works and sculptures that explore the mental and physical transformations of the human body as a result of technocapitalism.
It includes new works from her ongoing ‘Negative Entropy’ series — woven acoustic portraits — and her ‘Art d’Ameublement’ series, which comprises a group of paintings made up of large vivid spectrums of atomized particles encased in transparent shells of thermoformed PETG.
Among the standout exhibits is a large-scale rose quartz sculpture that has been punctured by bronze nozzles cast from Jacuzzi jest. Tajima chose the material for its ability ‘to transform bodily energy, generate electricity, and regulate time keeping.’
Tajima’s art is complex, but it’s thought-provoking — and extraordinarily beautiful.
Viewing Time Takes a Cigarette at Josh Lilley Gallery
Above Time Takes a Cigarette, Josh Lilley Gallery
Above Time Takes a Cigarette, Josh Lilley Gallery
Above Time Takes a Cigarette, Josh Lilley Gallery
Above Time Takes a Cigarette, Josh Lilley Gallery
Time Takes a Cigarette
Josh Lilley Gallery
Until 25 March 2021
We saw, experienced and touched less art in 2020 than (almost) ever before. But just how much did this affect you? Did you miss it? Did you seek solace in it? Are you now more sensitive to it?
Time Takes a Cigarette, the first group exhibition at Josh Lilley’s recently expanded gallery in Fitzrovia, brings together works by 14 international artists that address our complex relationship with art and art making.
Highlights on display include Brandi Twilley’s theatrical tableaux, Kathleen Ryan’s mouldy fruit sculptures made from gemstones and Gareth Cadwallader’s pressure-formed miniatures.
The gallery is currently closed but works can be browsed online. You can also take a virtual tour of a slimmed-down show via the Vortic App.
Viewing Idris Khan, The Seasons Turn at Victoria Miro
Above Untitled 2020
Above Work in Progress For Idris Khan The Seasons Turn
Above Work in Progress For Idris Khan The Seasons Turn
Above Work in Progress For Idris Khan The Seasons Turn
Above Work in Progress For Idris Khan The Seasons Turn
Above The Seasons Turn
Above Untitled 2020
Above Work in Progress For Idris Khan The Seasons Turn
Above Work in Progress For Idris Khan The Seasons Turn
Above Work in Progress For Idris Khan The Seasons Turn
Above Work in Progress For Idris Khan The Seasons Turn
Above The Seasons Turn
Idris Khan: The Seasons Turn
Victoria Miro Gallery, Wharf Road
13 April – 15 May 2021
In lockdown Idris Khan produced a new body of work exploring the tumult of 2020. Now it’s the subject of an IRL solo show at Victoria Miro London.
The Seasons Turn includes two distinct installations. The largest comprises a suite of 28 watercolour and oil collaged works on paper that are stamped with fragments of the score of Vivaldi’s baroque masterpiece The Four Seasons.
There are seven works illustrating each season. As you move around the gallery, the colours change to reflect subtle seasonal shifts: lush greens and yellows of summer give way to the burnished hues of autumn.
Elsewhere, there is a series of mesmerising blue paintings — a colour the artist describes as having ‘an immediate effect on emotion’ — which are layered with the artist’s thoughts, feelings and responses to 2020. This show advocates for a slower, more considered way of looking. Just what we need.