Spotlight

Spotlight Marianne Thoermer

Championed by Leslie Ramos
The Wick Culture - Marianne Thoermer, The Trial, 2022
Above  Marianne Thoermer, The Trial, 2022
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The Wick Culture - Marianne Thoermer. Image courtesy of the artist
Above  Marianne Thoermer. Image courtesy of the artist
Interview
Marianne Thoermer
Photography
Courtesy of the artist
16 April 2025
Interview
Marianne Thoermer
Photography
Courtesy of the artist
16 April 2025
The past often collides with the present in multidisciplinary artist Marianne Thoermer’s works, combing traditional techniques with unconventional materials, in monotypes, ceramics, paintings, and large-scale installations. Since graduating from the Royal Academy Schools in 2018, Thoermer, now based in Berlin and Yorkshire, has been steadily making a name for her tapestry-like pieces, working with galleries including Canopy Collections – the gallery will hold a solo exhibition of Thoermer later this year.
“My work explores the psychological dynamics of power, vulnerability, and perception—how figures interact with one another, how we perceive ourselves, how we navigate ourselves in the world,” Thoermer says. She sets up scenes of “quiet scrutiny, where body language and gaze suggest the tension between intimacy and intrusion” in her works. She is influenced too by Jungian ideas of the shadow self – overpowering shadows appear as a motif in recent works, symbols of the parts of ourselves we struggle to control.

Thoermer’s champion for The Wick is Leslie Ramos, advisor and founder of The Twentieth. She said: “I’ve known Marianne for over a decade now, since she was a student at the Royal Academy Schools. I’ve always found her work mesmerising, like stepping into a dream you half-remember: familiar, strange, and deeply emotional. What strikes me most is the way she lets materials speak for themselves, without trying to control them. Whether in her early works with textiles and glass or her more recent canvases, she creates psychological landscapes you feel drawn to inhabit.

There’s a quiet courage in her refusal to over-explain; instead, she invites the viewer to engage freely and to bring their own interpretations, feelings, and perspectives. Her practice is rooted in connection, questioning, and exploration. And there’s a sincerity at the heart of everything she does, which means that even as her work continues to evolve, it remains grounded in something deeply personal and profoundly universal.”

The new body of work Thoermer is currently immersed in creating continues to tread this line between the intimate and the interior, and something bigger beyond it. The dreamy, textural oil compositions with their fluent brushwork and emotive palettes tread new territory for the artist. Thoermer has also recently started working with life models, choreographing the figures in her scenes with real people, “which brings a tangible immediacy to these themes, grounding emotional undercurrents in lived experience.”

Asked what the rising star’s greatest achievement has been in career so far, Thoermer reflects: “developing a consistent and authentic voice within my practice—something that has taken shape over time through reflection, persistence, and trust in the process.”

“Showing my work in thoughtful contexts, such as solo presentations or being collected by individuals who genuinely connect with it, has been deeply rewarding”, she adds, “but above all, the ongoing evolution of my practice—its ability to deepen and grow—feels like the most valuable accomplishment.

About the champion

The Wick Culture - Leslie Ramos. Image courtesy of David Owens

Leslie Ramos is a philanthropy advisor specialised in the arts and culture. She is the co-founder of The Twentieth, an international arts philanthropy agency providing independent expertise around philanthropy, collecting, and engaging with the arts. Ramos supports and holds voluntary positions in multiple arts non-profits, and frequently lectures on philanthropy and museum studies. Leslie is the author of Philanthropy in the Arts: A Game of Give and Take, published by Lund Humphreys, 2023.

“I’ve always found her work mesmerising, like stepping into a dream you half-remember: familiar, strange, and deeply emotional.”

Place of Birth

Halle, Germany

Education

Postgraduate Diploma – Royal Academy Schools, London, Erasmus Exchange Chelsea College of Art & Design, London, MA Painting – Weißensee Academy of Art, Berlin

Awards, Accolades

Royal Drawing School Residency, Dumfries (2019), Apprentice Award – Past Overseers Society (2018), Nominee – Elephant x Griffin Art Prize (2018), E. Vincent Harris Award (2017), Winner – LOPF NOW Print Prize – Royal Academy of Arts (2017), EHF 2010 Grant – Konrad-Adenauer Foundation, Berlin (2016)

Current exhibitions

Preparing for my upcoming solo show with Canopy Collections, opening 6th November

Spiritual guides, Mentors

My daily studio ritual begins with meditation—an anchor that clears the mind and centres my focus on painting. During lunch I often turn to the Louisiana Channel by the Louisiana Museum of Modern Art—its interviews and creative insights of artists, writers, designers and architects are a reminder of the interconnectedness within the artistic community and the shared challenges we navigate. Additionally, engaging with the work of artists like Justin Caguiat, Ferdinand Hodler, Eva Pahde, Laura Footes, and Leonardo Devito energises my own practice and drives me to explore new directions.

Advice for a Future Spotlight

Stay open, stay curious—and push past what’s familiar. There’s a saying in German: “Wo deine Angst ist, da geht’s lang”— where your fear is, that’s where you need to go. Embrace it. That’s where growth happens


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