Diament says: “I first discovered Daisy’s work in spring last year via my Talk Art podcast partner Russell Tovey, who had been blown away by Daisy’s solo exhibition at Sim Smith in London. Within minutes of speaking to Daisy, during an episode of our podcast, I was struck by their intense passion and sincere love for painting, and urgent desire to push the medium. We’ve just opened Daisy’s new solo show at Carl Freedman Gallery, which includes a giant eight-metre canvas, their largest work to date. It’s truly monumental but also incredibly tender and sensitive!”

Parris says: “[I’m inspired by] the world around me, human connection, emotions, the domestic, trying to get through everyday life, survival, hope, anxiety, depression, music, loss, grief, reflection.

“I’m from Kent so being able to do a major show there is a dream come true and a real homecoming from me. The Kent art and music scene was a huge influence on me growing up and I’ve always wanted to be recognised as being part of it and to give back to the culture that shaped me.”

Diament adds: “It’s been so inspiring to see our visitors’ interpretations: numerous people have cried and had visceral responses while stood in front of the works. It’s been one of my proudest moments as a gallerist to witness Daisy’s talents have the space to grow and for new audiences to discover their work.”

Parris can’t reveal too much about their next projects but expect to see their work in Shanghai and Paris later this year. They are also taking time for a more personal, text-based project that could come to light next year, “or in 20 years”. Parris says: “I don’t mind, it’s just important for me to make the work.”

Catch ‘Mother Me’ at Carl Freedman Gallery until April 16.