The Wick List

Viewing Angela Santana 

For Zurich-born Angela Santana, combining digital painting with oil painting allows her to transform the female body from object to subject: ‘At the core of this technique is my search to represent the human body in a new way, free from bias or objectification.’

Through 14 large-scale oil canvases, currently on display at Saatchi Yates in London, Santana explores the historical implications of the male gaze and fantasy, while asking us to reconsider the power of the female painter and her subjects. Inspired by the likes of Cecily Brown, Dana Schutz and Georgia O’Keeffe, Santana draws on the mass of illicit images online and reframes them to create empowering images of the female form.

Her process is complex: she uses found images to create layered digital compositions which are then reimagined on large-scale canvases in oil. The resulting works are destined to be powerful rather than pleasing. ‘The idea was to erase the memory of the past and create a new celebrated image from it,’ she has said. This is a provocative show that is well worth investigating further.

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The Wick Culture - Selah, 2025, Gabriel Moses. Image courtesy of 180 Studios
The Wick List

Viewing Gabriel Moses: Selah at 180 Studios

The Wick Culture - Me and Esme in a Korean Restaurant, 2024, Chantal Joffe. © Chantal Joffe, courtesy of the artist and Victoria Miro. Photos by Jack Hems.  
The Wick List

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The Wick Culture - Horizontal–Vaakasuora by Eija-Liisa Ahtila. Image courtesy of Kew Gardens
The Wick List

Viewing The Power of Trees at Kew Gardens

The Wick Culture - Amoako Boafo, Shoulder Stand, 2023. Amoako Boafo, Black Cycle, 2025. © Amoako Boafo, Photo: Prudence Cuming Associates Ltd, Courtesy Gagosian
The Wick List

Viewing Amoako Boafo at Gagosian London

The Wick Culture - Rose Wylie, Henry Triangle, 1996. Image courtesy of the artist and David Zwirner
The Wick List

Viewing Rose Wylie at David Zwirner

The Wick Culture - The neck from a stoneware bottle with a bearded face known as a Bartmann bottle 1500s – 1600s. The bearded face decorating the neck lies half-buried on the foreshore. Image courtesy of Alessio Checconi and London Museum
The Wick List

Viewing Secrets of the Thames at the London Museum