The Wick List

Viewing Harland Miller: Imminent End, Rescheduled Eternally

Harland Miller is best known for his paintings based on Penguin book covers that explore the relationship between words, images and the process of making. He achieved critical acclaim with his debut novel in 2000 and has explored the narrative, aural and typographical possibilities of language in paint ever since. This autumn he brings a new series of hard-edge and abstract letter paintings to White Cube Bermondsey — and excitement is mounting.

As you meander around the gallery, you’ll come face to face with large-scale paintings in which Miller overlays letters, shapes, words and colours to ‘create a sense of depth in the image that deconstructs and abstracts the meaning of language itself.’ Among our favourites is Pressure (2022), featuring a striking contrast of pinks, reds, yellows and greens.

The exhibition coincides with the release of a revised edition of In Shadows I Boogie, Phaidon’s major monograph exhibition dedicated to the artist. See you there.

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Dates
16 November 2022 — 22 January 2023
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The Wick Culture - Selah, 2025, Gabriel Moses. Image courtesy of 180 Studios
The Wick List

Viewing Gabriel Moses: Selah at 180 Studios

The Wick Culture - Me and Esme in a Korean Restaurant, 2024, Chantal Joffe. © Chantal Joffe, courtesy of the artist and Victoria Miro. Photos by Jack Hems.  
The Wick List

Viewing Chantal Joffe: The Dog’s Birthday at Skarstedt Paris

The Wick Culture - Horizontal–Vaakasuora by Eija-Liisa Ahtila. Image courtesy of Kew Gardens
The Wick List

Viewing The Power of Trees at Kew Gardens

The Wick Culture - Amoako Boafo, Shoulder Stand, 2023. Amoako Boafo, Black Cycle, 2025. © Amoako Boafo, Photo: Prudence Cuming Associates Ltd, Courtesy Gagosian
The Wick List

Viewing Amoako Boafo at Gagosian London

The Wick Culture - Rose Wylie, Henry Triangle, 1996. Image courtesy of the artist and David Zwirner
The Wick List

Viewing Rose Wylie at David Zwirner

The Wick Culture - The neck from a stoneware bottle with a bearded face known as a Bartmann bottle 1500s – 1600s. The bearded face decorating the neck lies half-buried on the foreshore. Image courtesy of Alessio Checconi and London Museum
The Wick List

Viewing Secrets of the Thames at the London Museum