Our top picks of exhibitions together with cultural spaces and places, both online and in the real world.


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Doing The Festival of Quilts

Since launching nearly 20 years ago, the Festival of Quilts has emerged as the biggest and best show dedicated to quilting in Europe. Over the years, it has collaborated with some of the most prestigious names in quilting including Nancy Crow, Jane Dunnewold and Diana Harrison, and drawn thousands of visitors from around the world who share a passion for textile crafts.

Fast forward to 2022 and the festival is now home to the largest open quilt competition in the world, a wide range of curated galleries showcasing work by talented textile artists and a programme of over 350 workshops and talks. Then there’s the shopping: over 300 companies will be selling patchwork and quilting supplies, fabrics, threads, wadding, sewing machines and more all under one roof.

Highlights of the 2022 edition include the curated series of daily lectures and workshops by contemporary quilter Jo Avery and the range of special exhibits, including the Liberty Fabrics Collection and the Kaffe Fassett Inspiration Gallery. Not to be missed is the first UK exhibition by leading African-American quilter Michael A.Cummings. Found in private and public collections around the world, his narrative quilts explore subjects including the slave trade, jazz, Harlem history and cultural and political icons.

If you have an eye for textiles, there’s nowhere else to be this weekend.

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Dates
18 August 2022 — 21 August 2022

Viewing Miss Bugs: Do No Harm — The Dispensary

For a dose of arresting art, scoot over to Jealous East in Shoreditch where you’ll find a major new installation by mixed media artist collaboration Miss Bugs. Mashing up the worlds of contemporary art, big pharma and fast food, Do No Harm — The Dispensary addresses themes of addiction, advertising and consumerism, while interrogating the role that art has played in this cycle over the years.

The installation features more than 6000 supersized capsules and tablets, which are displayed around — and spewing out from — a sentient vending machine named Damien. Among them are 800 unique poured resin capsules, each containing a discarded junk food wrapper from the likes of McDonalds, Hubba Bubba and Monster Munch.

Also included are 200 ‘Fast Chalk’ pills. Shaped in the form of Viagra and Oxycontin tablets, they are emblazoned with familiar fast food slogans like ‘Finger Lickin’ Good’ and ‘America Runs on Dunkin’.

‘Imagine a world where Willy Wonka doesn’t want to give you a golden ticket; he just wants to get you hooked,’ said Miss Bugs. ‘Judging by American TV, that’s the world we’re already living in; slice of pizza in one hand, remote control in the other, eyeballs glued to a non-stop carousel of Coca-Cola, followed by Statins, then back to Burger King, then returning to Valium. Back and forth – junk to meds – on every channel. Consumer capitalism has won!’
This is a visually provocative show that’s worthy of a weekend jaunt to Shoreditch.

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Dates
12 August 2022 — 04 September 2022

Viewing Annie Morris

Annie Morris has had a brilliant 12 months. In 2021 she enjoyed her first solo museum exhibition in the UK, as well as a solo show at Timothy Taylor London, and designed in collaboration with her husband Idris Khan the buzzy Connaught Christmas tree.

Now she’s enjoying her first solo exhibition in France in the newly completed Oscar Niemeyer Pavilion at Château La Coste. Co-curated by Gagosian Director Georgina Cohen, it features new stack sculptures — the artist’s towers of vivid colour spheres — tapestries, drawings and paintings that reflect Morris’s interest in colour, the fragility of life and the space between figuration and abstraction.

Also featured is a 6-metre tall bronze stack sculpture, her largest work to date, which was especially conceived for the vineyard’s extensive grounds. The latest addition to Château La Coste’s outdoor art and architecture trail, it stands opposite Louise Bourgeois’s menacing Crouching Spider (2007), creating a powerful dialogue between two artists exploring the themes of motherhood and birth.

‘My sculptures are about holding onto something that’s fallen, and to express the hope and defiance of life,’ Morris said ahead of the exhibition. ‘The vibrant pigment on the surface is a way of trying to freeze the moment when paint hasn’t yet dried, and is caught in its most raw form.’
If you’re cruising around Provence this summer, it’s not to be missed.

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Dates
01 July 2022
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