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Viewing SOIL: The World At Our Feet at Somerset House

Somerset House has become a great place to see intersectional art shows on urgent social subjects of our times, and the latest is Soil: The World At Our Feet, newly opened this week and running until April, a landmark exhibition on the wonder of the earth as a vessel and bond to our ecosystem and the future of the planet.

The exhibition brings together a cross-section of approaches and stories from not only artists, but writers and scientists too. You can expect more than fifty dazzling sensory artworks, stimulating objects and artefacts and plenty of documentation and science about soil, a site representing nature’s power and precarity, artistic germination and social innovation, all at once. We’re especially excited to see Collective Marshmallow Laser Feast’s never before seen multimedia work, Poetics of Soil, revealing the hidden kingdoms of life underground.

Co-curated by The Land Gardeners, Henrietta Courtauld and Bridget Elworthy; curator and writer May Rosenthal Sloan and Claire Catterall, Senior Curator at Somerset House, the team says: “We need to start thinking of soil as something more than just dirt. It is part of a vast range of processes without which human life would not be possible. Only in the last few years have scientists really begun to unlock the secrets of soil, and there is still so much to be discovered.”

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Viewing The landmark 75th edition of New Contemporaries returns to the ICA with 35 early career artists

This year is the landmark 75th anniversary of the annual exhibition New Contemporaries, as it returns to the Institute of Contemporary Arts, where it has been held variously since the 1960s. New Contemporaries is a truly unique platform for early career artists, often giving recent graduates their first public exhibition, and launching the careers of many more.

This year’s edition features thirty-five artists, selected by artists Liz Johnson Artur, Permindar Kaur and Amalia Pica through an open call. There is no specific theme but the selected artists share common ground – an interest in the natural world, sustainability, and kinship. It offers an overview of the pressing concerns and challenges facing not only artists but everyone today.

The mix is interesting – we are looking forward to seeing sculptures by London-based RA Schools graduate Motunrayo Akinola, performance pieces by Sun Oh, and paintings by Varshga Premarasa, forging a material connection to her parents’ homeland, Sri Lanka, by creating images from their stories, memories, films – and AI.

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Dates
15 January 2025 — 23 March 2025
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Viewing Tall tales and romanticised yarns in the mythic paintings of British artist Ryan Mosley 

Ryan Mosley is Sheffield-based painter known for narrative, theatrical works that comment on art history, pictorialism and class. The artist’s distinctive works portray colourful characters from the bourgeois to the blue-collared to the Bohemian, belonging to an intricate world of Mosley’s making.

Mosley’s latest exhibition is Heavy is the Mountain, opening this week at Josh Lilley gallery. With his wry wit and expansive imagination the 45 year old artist has created a cast of new figures. Mosley took inspiration from his working class background in northern England, his own family history, as well as local legends, historical and mythological figures. “They appear on the canvas,” Mosley has said of his characters.

Art history fans will also find Mosley’s work rich in references, from Hogarth, Manet and Picabia to Peter Doig, as well as nods to surrealism, social and magical realism. Yet what Mosley creates is always something entirely of his own, complex and carnivalesque compositions that seems to jump off the canvas and follow you out of the gallery.

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Dates
17 January 2025 — 22 February 2025
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