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British-Nigerian photographer, filmmaker, activist, and cultural commentator Misan Harriman is known for his socially and politically engaged works, notably his black and white documents of the Black Lives Matter protests of the summer of 2020, the same year he made history as, the first Black man to shoot a series of iconic covers for British Vogue, portraits of 18 prominent activists.

Harriman’s newly opened solo exhibition The Purpose of Light at Hope93 Gallery (until September) extends an invitation to come together, to think and to dare to dream of better. Through more than 100 photographs, Harriman considers the meaning of protest and solidarity in the contemporary age ravaged by conflict, devastation and division. These pictures are witness to Black Lives Matter marches in London and Minneapolis, to vigils for the victims of Grenfell Tower, to outcries for justice in Sudan, to the cries of solidarity for the people of Congo, and most recently, the massive global movement in response to the humanitarian crisis in Gaza.

For Harriman, these photographs emerge not only as proof but as a collective testament to the power of people speaking out against injustice and a global resistance. Seen together, it’s a stirring and profoundly moving experience, considering the role we all play in society and in making change.

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Dates
11 July 2025 — 18 September 2025

Viewing Sculpture in the City at City of London

The 14th edition of the annual, free Sculpture in the City promises to amaze, transforming the City of London into a vibrant open-air gallery with world-class public art, delivered by the City of London Corporation, alongside LACUNA, a leading cultural studio.

This year’s line-up sees three new sculptures by major artists join the existing six works already installed in the City during previous editions. Ai Weiwei’s Roots: Palace, an epic cast-iron tree root sculpture, made in collaboration with Brazilian artisans by moulding from endangered trees, and Andrew Sabin’s Looping Loop, a new large-scale, vividly coloured abstract sculpture first sculpted in margarine to create moulds, the reason the sculptures surfaces appear soft. In addition is Jane and Louise Wilson’s Dendrophiles, a new work by the artist sibling duo, incorporating scans of wooden samples believed to be part of a crossing over the historic underground river Walbrook.

Chairman of the City of London Corporation’s Culture, Heritage, and Libraries Committee, Brendan Barns said, “Sculpture in the City is a powerful example of how we bring culture to life in the Square Mile, opening up extraordinary contemporary art to all who live, work and visit here. The project continues to evolve with ambition and purpose, drawing on The City’s unique blend of heritage, innovation and global reach. We’re proud to support initiatives like this that animate our public spaces and reinforce The City’s position as a vibrant cultural destination.”

Justine Simons OBE, Deputy Mayor for Culture and the Creative Industries told The Wick the importance of Sculpture in the City: “public art is such an important part of the fabric of London. It’s free and accessible to all, it tells our stories, captures our imaginations and gives us new perspectives on the world. Sculpture in the City brilliantly spotlights this, bringing great art into our daily lives, connecting us to the city and to each other, as we build a better London for everyone.”

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Dates
16 July 2025

Viewing Jane and Louise Wilson: Performance of Entrapment at Bloomberg SPACE

Beloved British sibling duo Jane and Louise Wilson are the latest contemporary artists to be inspired by the London Mithraeum Bloomberg SPACE’s fascinating ancient history – a past that was revealed during construction works in 1954 for Bloomberg’s European headquarters, when a Roman Mithraeum known as the Temple of Mithras, devoted to the mystery god Mithras, was uncovered.

This major discovery in the heart of the City of London has captivated audiences and artists alike. For the Wilsons, 2,000 year-old oak timbers, believed to have once supported a crossing over the River Walbrook (the ancient waterway that flowed alongside the Temple of Mithras, and still exists below the city’s streets) was the starting point for a new body of works that evolve through various media, from screen prints to carved wood sculptures.

The Wilsons used high-resolution images of the oak’s grain to explore the hidden beauty and suggestion of memories contained in the wood’s structure, emblematic of the Mithraeum’s site itself. Titled Performance of Entrapment, the work continues the Wilsons’ consistent interest in exploring culturally significant sites, with spiritual and ritual resonances.

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Dates
17 July 2025 — 01 January 2026
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Photo: © David Parry/ Royal Academy of Arts

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Storehouse, including over 100 mini
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and sides of the storage racking. Image by Hufton + Crow for V&A

Happenings V&A East Storehouse

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The Wick Culture - Shezad Dawood

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Happenings