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Viewing Theaster Gates: A Clay Sermon

This magnificent new survey looks at Theaster’s complex investigations into the material and spiritual legacies of clay, while exploring the role the medium has played in craft, labour, community building, racial identity, colonialism and global trade. ‘As a potter you start to learn how to shape the world,’ Gates once declared.

Pottery, sculpture, film and research material spanning the artist’s two-decade career are shown alongside a selection of intriguing historic ceramics from private and public collections, including the V&A. The star of the show is without a doubt A Clay Sermon (2021), a beautifully shot video, which includes archival imagery, gospel music, improvised jazz and footage of the artist sitting at a potter’s wheel in a derelict factory in Montana.

Upstairs, you’ll find brilliant ceramic pieces created by Gates that fuse personal references with African American cultural emblems, among them his large, tarred vessels installed on custom-made plinths of hand-milled wood and stone.

‘Clay has been foundational to Theaster’s intertwined artistic and social practices,’ says chief curator Lydia Lee. ‘This show explores his affinities with potters internationally and the relationships among his various studio, social engagement and urban regeneration projects.’ Add to your autumn to-do list now.

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Dates
29 September 2021 — 09 January 2022
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Viewing Helen Frankenthaler: Radical Beauty

Hailed as one of the greatest shows of the year, Helen Frankenthaler: Radical Beauty shines a light on the artist’s groundbreaking woodcuts, including works never shown before in the UK. Bringing together 30 works spanning over 30 years, it explores Frankenthaler’s revolutionary approach to the woodcut, positioning her as one of the medium’s greatest innovators.

Like her abstract painterly compositions, Frankenthaler’s woodcuts boast expanses of luminous colour and fluid forms as well as a spontaneity rarely associated with the medium. Standout works include the artist’s first woodcut East and Beyond (1973) and Madame Butterfly (2000), a monumental triptych created in collaboration with Kenneth Tyler and Yasuyuki Shibata that shows Frankenthaler at her most expressive and experimental. Also featured in the show are all six woodcuts of the sequence Tales of Genji (1998), for which Frankenthaler employed her signature soak-stain technique.

‘There is something magical about how she breathes life into such a rigid medium, retaining the energy and dynamism — that born at once feeling — that you see in her painting,’ says exhibition curator Jane Findlay. ‘And with her proofs and process explored alongside we’ll show the painstaking work behind these beguiling works — revealing just how accomplished Frankenthaler was in modulating control and spontaneity in her art.’

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Dates
15 September 2021 — 17 April 2022

Doing London Design Festival

London is buzzing this week with a jam-packed schedule of indoor and outdoor creative and cultural events celebrating all things design. Yes, people, London Design Festival is back, and its 19th edition is the biggest yet. After a tumultuous year of lockdowns, separations and emotional hardship, the festival hopes to bring people together to promote London as the design capital of the world.

There are ten ‘Design Districts’ across the city — each one has its own unique personality — that play host to a cluster of events within a short walking distance from each other. You’ll encounter a wide selection of cutting-edge furniture, lighting as well as interior furnishings and collaborations with emerging and established designers. Explore the first zero-waste event, Planted, at Coal Drops Yard before heading east to the much-hyped Shoreditch Design Triangle, where you’ll find exhibitions presented by Adorno London and SCP.

At the V&A, meanwhile, look out for Medusa in the Raphael Gallery, a mixed reality project conceived by Japanese architect Sou Fujimoto and production studio and technology developer Tin Drum. Also on view here is the mesmerising Biomimicry Collection by Auroboros, a pioneering fashion house that merges science and technology with physical haute couture and digital ready-to-wear. At the heart of the collection is a couture gown worn by Ai-Da, the world’s first artist robot, that grows and falls apart in rhythm with its own life cycle.

Elsewhere, highlights include Yinka Ilori’s joyfully designed auditorium at Design London and his brilliant, bold ‘Bring London Together’ art project, which transforms zebra crossings on Tottenham Court Road and across the city into a kaleidoscope of colour.

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