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Viewing London Sculpture Week 2026

Sculpture steps outside.

London Sculpture Week returns for its fifth edition this September, bringing five of the capital’s major public art initiatives together for nine days of sculpture across the city. The Fourth Plinth, Frieze Sculpture, East Bank, Sculpture in the City and The Line each offer a different route through London, with free and ticketed events running alongside the works themselves.

Unveiled last week in Trafalgar Square was Tschabalala Self’s ‘Lady in Blue’, the 16th Fourth Plinth commission. Over in The Regent’s Park, the 14th edition of Frieze Sculpture places work by 11 international artists across the English Gardens, with curator Fatoş Üstek leading both daytime and after-dark tours during the week.

The programme travels well beyond the park. ‘A Taste of Sculpture in the City’ pairs a walking tour led by Stella Ioannou with canapés inspired by works in the City’s current sculpture trail. At East Bank, a guided walk looks back over 14 years of public art around Queen Elizabeth Olympic Park, while The Line offers a slower route through east London with a free wellbeing walk along its waterways.

On 25 September, attention turns to The Warburg Institute for ‘Reframing Monumentality’, the third London Sculpture Week symposium. This year’s discussion asks what a monument can mean now. With sculpture spread across the capital, even a familiar walk might hold a surprise. Don’t miss it.

The Wick is excited to be a media partner for London Sculpture Week 2026.

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A change of scenery.

Landscape is all around CLOSE, and this autumn it fills the inside of the gallery too. Curated by Freeny Yianni, LOOK OUT brings together selected works by Ivon Hitchens with new and recent pieces by 13 artists working in painting, sculpture, drawing and installation, tracing a century of ways to look at and think about the land.

After moving to Sussex in 1940, Hitchens spent decades painting the woodland around his home. Colour and rhythm gave his scenes the sense of being among the trees. This attention to how a place is experienced runs through the exhibition: Saad Qureshi builds sculptural ‘mindscapes’ from his own memories and those shared with him, while Magnus Hammick paints the Somerset countryside through close observation and instinctive marks.

The view stretches further in works by David Abbott, Dien Berziga, Christabel Blackburn, Sarah Gillespie, Lee Johnson, Charlotte Keates, Rob Lyon, Katherine Perrins, Ged Quinn, Myrna Quiñonez and Harriet White. Among them, Keates brings imagined architecture into her landscapes, Quinn draws on mythology and Quiñonez explores memory and migration.

Look Out proposes that nature and the changing seasons remain among the few constants we can rely upon. Landscape, in all its forms, becomes a source of comfort, continuity and belonging, a place where we can orient ourselves amidst uncertainty. And after seeing the many ways artists have approached a landscape, why not step outside the gallery doors and take another look?

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Viewing Reviving Craft: Reflection of the Mind

Material matters.

Somerset House turns its attention to Chinese craft this September with ‘Reviving Craft: Reflection of the Mind’, a free exhibition bringing together more than 60 artists and around 100 objects. Co-curated by Su Dan and Yang Lan, the show looks at how inherited techniques continue to evolve in contemporary hands.

Ceramics, glass, jewellery, textiles and furniture fill the Embankment Galleries, with digital elements bringing another layer to the display. Among the works are Rosalie Huang’s elaborate embroidered wedding dress and Shuang Xi’s towering ‘Soft Monolith’, made from silk and mixed fibres.

The exhibition is structured around three ideas drawn from Eastern philosophical thought: Chengxin, or clearing the mind; Xiuxin, refining the mind; and Yangxin, nourishing the mind. Rather than organising craft by age or material, these sections connect the act of making with the inner life of the maker.

In this exhibition, tradition is portrayed as something alive and ever-changing. Old techniques find contemporary forms, while technology offers new ways to examine the skill behind them. Free to visit and part of the official London Design Festival programme, it is well worth adding to a Somerset House stop this month.

As the first autumn rain starts to roll in, there is all the more reason to find artful activities to liven up your day. This week’s #WickList heads from the Somerset countryside to sculpture across London and Chinese craft at Somerset House.

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