Our top picks of exhibitions together with cultural spaces and places, both online and in the real world.
All, Art, Auctions, Exhibitions, Travel & Hospitality, Initiatives
Viewing Focus on the Female, Cynthia Corbett Gallery at The Exhibitionist Hotel
Above Cynthia Corbett Gallery, Focus on the Female, at the Exhibitionist Hotel, Image: Cristina Schek
Above Cynthia Corbett Gallery, Focus on the Female, at the Exhibitionist Hotel, Image: Cristina Schek
Above Cynthia Corbett Gallery, Focus on the Female, at the Exhibitionist Hotel, Image: Cristina Schek
Above Cynthia Corbett Gallery, Focus on the Female, at the Exhibitionist Hotel, Image: Cristina Schek
Above Cynthia Corbett Gallery, Focus on the Female, at the Exhibitionist Hotel, Image: Cristina Schek
Above Cynthia Corbett Gallery, Focus on the Female, at the Exhibitionist Hotel, Image: Cristina Schek
Above Cynthia Corbett Gallery, Focus on the Female, at the Exhibitionist Hotel, Image: Cristina Schek
Above Cynthia Corbett Gallery, Focus on the Female, at the Exhibitionist Hotel, Image: Cristina Schek
Focus On The Female
The Exhibitionist Hotel, South Kensington
20 July — 30 September 2021
Scoot along to South Kensington’s Exhibitionist Hotel for a peek at its summer showcase, featuring wonderful artworks by 15 women artists working across a variety of media. The all-female exhibition is curated by Cynthia Corbett Gallery and the Young Masters Art Prize, a not-for-profit initiative which seeks to highlight and support emerging talent.
On display are works by gallery-represented artists, Young Masters alumnae and artists Cynthia Corbett has never worked with before. Marvel at Deborah Azzopardi’s seductive pop art images. Or lose yourself in Nicole Etienne’s breathtaking sky-filled canvases. Amanda McCavour’s mesmerising hanging poppy installation is another highlight. When you’ve had your fill, head to the hotel’s quirky cocktail bar for sumptuous summer sipping.
Above David Shrigley, Untitled, 2020, ink on paper. Courtesy David Shrigley and Stephen Friedman Gallery, London
Above Regarding Forests Hoh Rain Forest 3 Olympic National Park 2019. Chrystel Lebas
Above English folding almanac in Latin, c.1415-1420. Wellcome Collection
Above Joy Inside Our Tears, 2021, Harold Offeh
Above David Shrigley, Untitled, 2020, ink on paper. Courtesy David Shrigley and Stephen Friedman Gallery, London
Above Regarding Forests Hoh Rain Forest 3 Olympic National Park 2019. Chrystel Lebas
Above English folding almanac in Latin, c.1415-1420. Wellcome Collection
On Happiness
Wellcome Collection
15 July 2021 — 27 February 2022
What is happiness? What makes you feel good? How can you create happy feelings? These complex questions are the subject of a new season of free events, activities and exhibitions at London’s Wellcome Collection.
After a year of rising levels of anxiety, depression, stress and uncertainty, this new programme asks how we might rebuild our sense of happiness, while reflecting on the connections between these complex emotions, our bodies and health. It will also explore the ways in which people find resilience, hope and joy in times of hardship.
The two free exhibitions — Tranquillity and Joy — bring together voices from across the cultural, scientific and spiritual fields to explore happiness in all its forms. Tranquillity centres on feelings of contentment, serenity, peace and balance, while Joy looks at heightened emotional states such as ecstasy, euphoria and pleasure.
You’ll encounter historic objects from Wellcome’s collection, newly commissioned works and multi-sensory installations. Relax in a yoga studio created by Jasleen Kaur before scoping out new works by Amalia Pica and David Shrigley which address themes of resilience, humour and hope. For a deeper dive, plug into Wellcome’s five-part podcast series exploring how emotion affects our lives and culture in unexpected ways. After such a rollercoaster year, On Happiness is sure to put a smile on your face. Need we say more?
Viewing Karla Black: sculptures (2001-2021) – details for a retrospective
Above Installation view of ‘Karla Black: sculptures 2001–2021’, in the new warehouse space at Fruitmarket, Edinburgh, 2021. Photo: Tom Nolan
Above Installation view of ‘Karla Black: sculptures 2001–2021’, in the new warehouse space at Fruitmarket, Edinburgh, 2021. Photo: Tom Nolan
Above Installation view of ‘Karla Black: sculptures 2001–2021’, in the new warehouse space at Fruitmarket, Edinburgh, 2021. Photo: Tom Nolan
Above Installation view of ‘Karla Black: sculptures 2001–2021’, in the new warehouse space at Fruitmarket, Edinburgh, 2021. Photo: Tom Nolan
Karla Black: sculptures (2001-2021) – details for a retrospective
Fruitmarket
7 July – 24 October 2021
Following a year of virtual walkthroughs and screen-scrolling through art, Karla Black’s latest exhibition at the Fruitmarket is a revelation. A reminder of the power of immersive exhibitions and of physical engagement of art, sculptures (2001-2021): details for a retrospective brings together two decades’ worth of work – many of them specially designed for Fruitmarket, the exhibition space in Edinburgh that takes the artist back to her native Scotland.
Black is a radical experimenter. From her use of colours to the state of her sculptures – whether hanging, spreading, hovering or sitting – her work is innovative and shifting. Her use of materials is just as diverse, spanning cardboard, sugar paper, polystyrene, gels, and even cleaning products. The one constant is the viewer: her art needs to be seen and walked amongst, and Black acknowledges and embraces the audience as the key protagonist of her work.
One of the key pieces of the show is Waiver for Shade (2021), which responds fabulously to the dark and industrial nature of Fruitmarket. The work is a product of the intuitive and physical capabilities of Black’s body. Determined by the extent of her reach, the strength of her throw, her impulsive use of materials in the present moment, it is a product of raw creativity – a welcome and overdue celebration of art experienced IRL.