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Viewing Tunji Adeniyi-Jones: That Which Binds Us

Ablaze with brilliant colour, the paintings of London-born, New York-based Tunji Adeniyi-Jones explores the relationship between figure and ground, while also addressing the history of the Black experience. Often beginning with studies in ink pen or watercolour on paper, he builds his canvases through repetition, colour and form, invoking the ritualised repetition integral to ceremonial processes. He draws inspiration from a wide range of sources, including his Yoruba heritage and West African mythology, as well as his travels and multi-cultural upbringing.

For his first exhibition at White Cube, Adeniyi-Jones presents bold, new paintings that focus on expressive figuration. ‘The figures in my work are expressions of my identity and there is something very rewarding about using the body as a vehicle for storytelling,’ he says.

You’ll be confronted by muscular bodies engaged in ritual dance-like movements or classical posturing every which way you look. They are strong and dynamic and flow freely across the canvas, creating a sense of pulsating energy through the picture plane. Not to be missed are Poetic Feet I, II and III, executed in a rich palette of pinks, reds and oranges; and Five Virtues, a new monochrome sugar-lift aquatint depicting five figures dancing and gesturing, each a personification of a moral attribute. No doubt these works will fly!

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Dates
19 November 2021 — 09 January 2022
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Viewing Fabergé in London: Romance to Revolution

Think of Fabergé and glorious visions of jewelled enamel Easter eggs spring to mind. These magnificent objets d’art, however, represent only a fraction of the house’s artistic creation.

Bringing together around 200 objects, Fabergé in London: Romance to Revolution tells the story of Carl Fabergé, the master Russian goldsmith, and his internationally recognised firm, while also exploring the Anglo-Russian relationship which saw the opening of a branch in London in 1903.

It was Fabergé’s trademark ability to transform everyday objects into opulent works of art that made the House so famous across Europe: royalty, aristocrats, heiresses, exiled Russian Grand Dukes, socialites and financiers flocked there to purchase gifts of unparalleled luxury. Many of these are now on display for the first time in the UK.

Highlights include the recently rediscovered Third Imperial Egg of 1887, found by a scrap dealer in 2011; and the rock crystal Peacock Egg of 1907-8, shown on public display for the first time in over a decade. Also worthy of note are a silver model portrait of Persimmon, King Edward VII’s most loved and successful racehorse; a notebook given by Emperor Nicholas II and his wife to Queen Victoria for Christmas in 1896; and a sparkling aquamarine and diamond tiara. Prepare to be spellbound.

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Dates
20 November 2021 — 08 May 2022
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After a three-year, £57 million makeover, The Courtauld Gallery is finally reopening its doors. Visitors to the spanking new space will see one of the UK’s greatest art collections, ranging from the Middle Ages to the 20th century, redisplayed across elegantly refurbished galleries. As hoped, this bijou trove shines brighter than ever before.

Among the treasures back on display are Botticelli’s large-scale masterpiece The Trinity with Saints and The Courtauld’s celebrated collection of works by Peter Paul Rubens. Other highlights include the gallery’s renowned collection of Impressionist and Post-Impressionist masterpieces, such as Manet’s A Bar at the Folies-Bergère (1882), Van Gogh’s Self- Portrait with Bandaged Ear (1889), and the most significant collection of works by Cézanne in the UK. New to the hang is Cecily Brown’s Unmoored from her reflection, a large-scale painting specially commissioned for the curved wall at the top of gallery’s historical staircase.

After meandering around the permanent galleries, head to the top floor to see Modern Drawings: The Karshan Gift (19 Nov 21 – 9 Jan 22), a temporary exhibition showcasing an outstanding group of drawings by European and American masters including Wassily Kandinsky, Paul Klee, Georg Baselitz and Cy Twombly. Courtauld, it’s good to have you back!

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Dates
17 November 2021
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