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Viewing 1-54 Art Fair at Somerset House

The Wick Culture - Monica De Miranda.Courtesy of 1-54 and Jim Winslet

Above Monica De Miranda.Courtesy of 1-54 and Jim Winslet

The Wick Culture - October Gallery. Courtesy of 1-54 and Jim Winslet

Above October Gallery. Courtesy of 1-54 and Jim Winslet

The Wick Culture - FILAFRIQUES. Courtesy of 1-54 and Jim Winslet

Above FILAFRIQUES. Courtesy of 1-54 and Jim Winslet

The Wick Culture - 193 Gallery. Courtesy of 1-54 and Jim Winslet

Above 193 Gallery. Courtesy of 1-54 and Jim Winslet

The Wick Culture - Afeez Onakoya, Wura III, 2025, Charcoal and acrylic on canvas, 92 x 61 cm. Courtesy of O'DA Art.

Above Afeez Onakoya, Wura III, 2025, Charcoal and acrylic on canvas, 92 x 61 cm. Courtesy of O’DA Art.

Above Monica De Miranda.Courtesy of 1-54 and Jim Winslet

Above October Gallery. Courtesy of 1-54 and Jim Winslet

Above FILAFRIQUES. Courtesy of 1-54 and Jim Winslet

Above 193 Gallery. Courtesy of 1-54 and Jim Winslet

Above Afeez Onakoya, Wura III, 2025, Charcoal and acrylic on canvas, 92 x 61 cm. Courtesy of O’DA Art.

1-54 Art Fair

Somerset House
15 – 19 October 2025

Another must-see of Frieze week in London is 1-54 at Somerset House, the dedicated hub for contemporary art and galleries from across the African continent and diaspora. The 13th London edition of the fair include fifty galleries from thirteen countries, with a special curated section this year devoted to art from the Caribbean.

Special projects to hot foot it to this year include, ęmí: freedomsong, an audio-visual installation inspired by bell hooks’ All About Love and Camille Sapara Barton’s Tending Grief. Equally immersive is the salon installation by Le Tings, centred around the artistry of the hairdresser and the conversations that take place in the barbers chair. Meanwhile, The Inherited Counter-Archive presents a conceptual photo-studio and installation by Everyday Lusaka Gallery (Zambia), featuring work by veteran photographer Alick Phiri.

If you need another reason to visit: the iconic Neoclassical courtyard at Somerset House has been transformed by Mónica de Miranda into a social sculpture: Earthworks (2025). This site-specific project reimagines public space as “a living, collective, and sensory archive, an articulation of stage-sculptures and vertical gardens” that will be brought to life with performance, actions and conversations over the coming days. It’s inspired by Achille Mbembe’s idea of “terrestrial communities, where the human and non-human life are intertwined in care and shared survival, the project transcends soil and plant life into living archives of resistance.”

Viewing Frieze London & Frieze Masters at Regent’s Park

The Wick Culture - Frieze London 2025. Photo by Linda Nylind. Courtesy of Frieze

Above Frieze London 2025. Photo by Linda Nylind. Courtesy of Frieze

The Wick Culture - Viewing Frieze London & Frieze Masters at Regent's Park

Above

The Wick Culture - Frieze London 2025.
Photo by Linda Nylind 16/10/25. .

Above Frieze London 2025. Photo by Linda Nylind 16/10/25. .

The Wick Culture - Gagosian, Frieze London 2025. Photo by Linda Nylind. Courtesy of Frieze

Above Gagosian, Frieze London 2025. Photo by Linda Nylind. Courtesy of Frieze

The Wick Culture - Ginny on Frederick, Frieze London 2025. Photo by Linda Nylind. Courtesy of Frieze

Above Ginny on Frederick, Frieze London 2025. Photo by Linda Nylind. Courtesy of Frieze

The Wick Culture - Harlesden High Street, Frieze London 2025. Photo by Linda Nylind. Courtesy of Frieze

Above Harlesden High Street, Frieze London 2025. Photo by Linda Nylind. Courtesy of Frieze

The Wick Culture - Frieze Masters 2025. Photo by Hugo Glendinning. Courtesy Frieze

Above Frieze Masters 2025. Photo by Hugo Glendinning. Courtesy Frieze

The Wick Culture - Frieze Masters 2025. Photo by Hugo Glendinning Courtesy of Frieze

Above Frieze Masters 2025. Photo by Hugo Glendinning Courtesy of Frieze

The Wick Culture - Gagosian, Frieze Masters 2025, Photo by Hugo Glendinning, Courtesy of Frieze

Above Gagosian, Frieze Masters 2025, Photo by Hugo Glendinning, Courtesy of Frieze

Above Frieze London 2025. Photo by Linda Nylind. Courtesy of Frieze

Above Frieze London 2025. Photo by Linda Nylind 16/10/25. .

Above Gagosian, Frieze London 2025. Photo by Linda Nylind. Courtesy of Frieze

Above Ginny on Frederick, Frieze London 2025. Photo by Linda Nylind. Courtesy of Frieze

Above Harlesden High Street, Frieze London 2025. Photo by Linda Nylind. Courtesy of Frieze

Above Frieze Masters 2025. Photo by Hugo Glendinning. Courtesy Frieze

Above Frieze Masters 2025. Photo by Hugo Glendinning Courtesy of Frieze

Above Gagosian, Frieze Masters 2025, Photo by Hugo Glendinning, Courtesy of Frieze

Frieze London & Frieze Masters
The Regent’s Park
15 – 19 October 2025

The visual arts event of the year returns to The Regent’s Park and it promises to be as spectacular as ever. Open to the public from today until Sunday, Frieze London and Frieze Masters bring the very best art, spanning a millennia, presented by institutions and galleries from around the world together under one temporary tented roof.

At Frieze London, the focus is contemporary, with a special section this year curated by Dr Jareh Das, who presents the unmissable Echoes in the Present exploring the intergenerational dialogue between contemporary artists from Brazil, Africa and their diasporas. Artist-to-artist returns, with six solo presentations selected by artists including Amy Sherald and Chris Ofili, and the Frieze Artist Award 2025 winner Sophia Al-Maria will install a makeshift comedy club within the fair. Don’t forget to head to the Deutsche Bank lounge too, to see a new work by Noemie Goudal.

At Frieze Masters, the home for work reaching as far back as a millennia ago, prepare to be dazzled by Studio presentations by the likes of Anju Dodiya and Samia Halaby, bringing historical work into dialogue with art by living artists, while at the fair also introduces its brand new section, Reflections, for showcasing decorative arts and objects. The inaugural edition is inspired by two world-leading collections, Sir John Soane’s Museum and Kettle’s Yard. Get ready to dive in and discover!

Viewing Dima Srouji: A Cosmogram of Holy Views at Ab-Anbar Gallery

The Wick Culture - Dima Srouji, ‘A Cosmogram of Holy Views’, 2025. Installation view, Ab-Anbar Gallery, London. Photo: Sergey Novikov. Image courtesy of the Artist and Ab-Anbar Gallery

Above Dima Srouji, ‘A Cosmogram of Holy Views’, 2025. Installation view, Ab-Anbar Gallery, London. Photo: Sergey Novikov. Image courtesy of the Artist and Ab-Anbar Gallery

The Wick Culture - Dima Srouji, Anointed Shrines 1, 2025, Mother of pearl inlay, wood, Injasa limestone 71 x 38 x 19 cm. Image courtesy of the Artist and Ab-Anbar Gallery

Above Dima Srouji, Anointed Shrines 1, 2025, Mother of pearl inlay, wood, Injasa limestone 71 x 38 x 19 cm. Image courtesy of the Artist and Ab-Anbar Gallery

The Wick Culture - Dima Srouji, Sacred Dissonance 6, 2025, Screen prints and mixed media on glass, 88 x 69 cm. Image courtesy of the artist and Ab-Anbar Gallery

Above Dima Srouji, Sacred Dissonance 6, 2025, Screen prints and mixed media on glass, 88 x 69 cm. Image courtesy of the artist and Ab-Anbar Gallery

The Wick Culture - Holy Views magic lantern slides and negatives, 2025, Research image 1

Above Holy Views magic lantern slides and negatives, 2025, Research image 1

Above Dima Srouji, ‘A Cosmogram of Holy Views’, 2025. Installation view, Ab-Anbar Gallery, London. Photo: Sergey Novikov. Image courtesy of the Artist and Ab-Anbar Gallery

Above Dima Srouji, Anointed Shrines 1, 2025, Mother of pearl inlay, wood, Injasa limestone 71 x 38 x 19 cm. Image courtesy of the Artist and Ab-Anbar Gallery

Above Dima Srouji, Sacred Dissonance 6, 2025, Screen prints and mixed media on glass, 88 x 69 cm. Image courtesy of the artist and Ab-Anbar Gallery

Above Holy Views magic lantern slides and negatives, 2025, Research image 1

Dima Srouji: A Cosmogram of Holy Views

Ab-Anbar Gallery
10 October – 29 November 2025

A Cosmogram of Holy Views (10 October – 29 November 2025) marks Dima Srouji’s first solo exhibition in London – a powerful debut and a statement about memory, architecture, colonial erasure, and the sacred geography of Palestine.

Organised as a triptych across three spaces themed around the body, the spirit, and the land, each installation reclaiming fragments of Palestinian presence material, architectural, emotional — through acts of reconstruction, ritual, and refusal. Through glass, archival work, text, maps, and other media, Srouji weaves together what she terms a “cosmogram”: not a map of heaven, but a grounded map of memory in which sacredness is inseparable from land, history, and lived bodies.

Srouji confronts the discordant tension between the reverence for “The Holy Land” in the West and the reality of displacement and destruction, embodied in works that evoke ruin and collapse, but also insistence, repair, presence. The exhibition refuses to let heritage become only ornamental. A Cosmogram of Holy Views is an ambitious and necessary exhibition, both for its aesthetic sensitivity and its political stakes. It doesn’t shy from asking hard questions about what is sacred, who counts as holy, and who is allowed to belong.