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Viewing Koestler Arts: Freedom

To mark the 60th anniversary of the Koestler Awards, Koestler Arts presents an ambitious exhibition of works by nearly 3000 artists in the UK’s criminal justice system curated by Ai Weiwei.

Installed in the Royal Festival Hall in London’s Southbank Centre, Freedom features works spanning a variety of categories and media that explore the impact of curtailed freedom, while showing the extent of human resilience when put in extreme circumstances.

‘This exhibition focuses on the role that the act of thinking and creating plays in life under constraints,’ said Ai, who visited different prisons in the UK including HM Prison Wormwood Scrubs which is situated next to the Koestler Arts Centre. ‘I hope that this exhibition can inspire people to reflect upon the loss of freedom and those that continue to create art to fight for space in life and freedom of expression despite adversity.’
The exhibition space will take the form of 15 cell-like spaces that are based on the size of a typical cell in a UK prison, with each cell containing between 78 and 131 artworks. At certain points during the day, quotes from displayed artists will be played out loud.

‘I’ve seen on countless occasions how art can be a space for personal liberation and growth,’ said Mark Ball, Artistic Director of the Southbank Centre. ‘A belief that is made manifest by the extraordinary work of Koestler Arts.’ We can’t think of a better exhibition to get behind.

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Dates
27 October 2022 — 18 December 2022

Viewing Taylor Wessing Photographic Portrait Prize 2022

Returning to Cromwell Place in South Kensington this autumn is the Taylor Wessing Photographic Portrait Prize exhibition 2022, featuring work by the three shortlisted photographers, Clémentine Schneidermann, Haneem Christian and Alexander Komenda, alongside the other final selected entries.

‘The 51 final selected submissions are a remarkable collection of images that reflect the competition’s international reach and demonstrate an extraordinary variety of themes and styles within the parameters of photographic portraiture,’ said Nicholas Cullinan, Director of the National Portrait Gallery.

French photographer Clémentine Schneidermann won first prize for two portraits from her series ‘Laundry Day’, which document the daily chores of her neighbour in South Wales, navigating life in lockdown. ‘They document micro events which deal with the passage of time through the small moments of our daily lives,’ said Schneidermann.

Second prize was awarded to South African poet and artist Haneem Christian for Mother and Daughter and Rooted, photographs from two different series which explore themes of queerness and transness in relation to family, race and identity. The judges praised the works for their striking yet tender composition, and the deep trust visible between the sitters and the photographer.

Alexander Komenda won third prize for Zahid’s Son, a poignant portrait from his ongoing series, The Lost Enchiridion of the Fergana Valley, that examines themes of identity and the post-Soviet landscape in Kyrgyzstan.

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Dates
27 October 2022 — 18 December 2022

Viewing The Horror Show!: A Twisted Tale of Modern Britain

Landing at Somerset House this Halloween is The Horror Show, a major exhibition examining how ideas rooted in horror have shaped the past five decades of creative rebellion in Britain.

Organised in three thematic sections — Monster, Ghost and Witch — the show brings together over 200 artworks and artefacts from some of the country’s most provocative artists, including Jake and Dinos Chapman, Monster Chetwynd and Tim Noble and Sue Webster.

The Monster section explores the economic, social and political turbulence of the 1970s and 80s as well as the monsters which plague society today. Don’t miss Jamie Reid’s Monster on a Nice Roof (1972), featuring dark skies gathering over Britain, and Noel Fielding’s Post-Viral Fatigue (2022), which explores the enduring impact of Covid on our contemporary reality.

Ghost takes you on journey through the collapse of hyperinflated 80s culture to the global financial crisis of 2008, while Witch celebrates the emergence of the younger generation’s hyper-connected community and the cultural influence of modern sorcery.

Collectively, these works reveal how horror can help us make sense of the world around us and imagine a radically different future. It’s an intoxicating deep-dive into counter-culture, the mystic and uncanny.

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Dates
27 October 2022 — 19 February 2023
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