The Wick Culture - Selvi May Akyildiz. Photography by Jacob Lillis The Wick Culture - Selvi May Akyildiz. Photography by Jacob Lillis
Monday Muse

Interview: No.9 Cork Street Director, Selvi May Akyildiz

Interview
Selvi May Akyildiz
Photography
Jacob Lillis
02 June 2025
Interview
Selvi May Akyildiz
Photography
Jacob Lillis
02 June 2025
Selvi May Akyildiz is the Director of Frieze’s permanent gallery No.9 Cork Street. The gallery opened in 2021, and is a hub for international galleries to present short term projects and exhibitions right in the heart of Mayfair, housed across two beautiful converted townhouses. Akyildiz, 38, joined Frieze with a wealth of commercial sector experience – she has previously worked at Hauser & Wirth, Cabinet and Modern Art, as well as at non-profit Create London – while at Create she worked on the landmark Hackney Windrush Art Commission public sculptures by Veronica Ryan. The Wick always loves to stop by No.9 for an exciting mix of the world’s leading talent – we hear more from Akyildiz about this unique cultural space, what she’s been dreaming about, and the artwork she cherishes most.

THE WICK:   Talk us through your typical Monday. How do you like to start the week?

Selvi May:   When I wake up and open my eyes, I look around my room. My boyfriend tells me I’ve been sleep-talking about photography exhibitions.

I see my artworks by Behrang Karimi, Helena Foster, Kira Freije and a smiling sun painting by an unknown Madhubani artist hanging on my bedroom walls. There are plants and flowers dotted around the room, which have all somehow survived some heavy exposure to joss sticks. I cherish an early DIY zine by Raymond Pettibon on my kitchen counter, a spoon box from Dagestan hanging above the stove and various art prints and exhibition posters in my hallway.

I have accumulated many memories during my career working in galleries, and I appreciate the artworks, objects, textiles, ephemera and all the bits of paper I surround myself with.

I then make my breakfast and zoom off to Cork Street on my e-bike.

TW:   You’re the Director of No.9 Cork Street, Frieze’s first permanent exhibition space for visiting galleries, located in the historic heart of Mayfair. What makes this space unique, and how do you see it shaping or responding to London’s evolving contemporary art scene?

SM:   Frieze No.9 Cork Street serves as a home away from home for national and international galleries. We are currently hosting three Indian galleries, Vadhera Art Gallery, Chemould Prescott Road and Jhaveri Contemporary.

These galleries, all female-led, are at the forefront of the art scene in the Global South. Artworks currently on display range from Rashid Rana’s photo assemblages, Lubna Chowdhary’s ceramic sculptural works to Biraaj Dodiya’s abstract paintings. We welcome many visitors throughout the day and were welcomed with queues of guests on the opening night.

There’s a great energy in Cork Street and it’s fun to sit at the reception desk with my colleagues Jason and Julia, watching the gallery in action.

Concurrently to these exhibitions, Arprita Singh who previously exhibited with us, is on view at The Serpentine Galleries. Shireen from Chemould Prescott Road tells us she has just run into the author Salman Rushdie at the exhibition, and he is now on his way to No.9 Cork Street.

Frieze No.9 Cork Street has a significant address, bang in the heart of Mayfair. This historic location gives us an exciting backdrop for contemporary exhibition-making. We recently welcomed Tiwani Contemporary, Alison Jacques and Stephen Friedman to Cork Street, it’s great we have good neighbours!

TW:   Frieze is one of the most influential names in the contemporary art world. How does No. 9 Cork Street reflect, or reimagine, what Frieze stands for today?

SM:   No. 9 Cork Street and the fairs are very different experiences, but their activities meaningfully support each other across the year. No other art fair has a space quite like No.9 Cork Street, it’s a key part of what sets Frieze apart.

What we do have at No. 9 Cork Street is the luxury of time – our exhibitions generally last three weeks rather than the five days of the fairs – and we also have a slightly different focus with three spaces to enjoy rather than 100+ galleries under one roof.

TW:   Which artists should we have on our radar right now?

SM:   Biraaj Dodiya, Eunsil Lee, Joanne Burke, Anna Patterson, Lucas Dupuy, Amanda Moström, Lara Ögel, Stéphanie Brossard, Kenny Rivero, Dan Coopey, Camila Rocha, Ziggy Grudzinskas, Lucy Mercer, Mamali Shafahi and Sienna Murdoch.

“Frieze No.9 Cork Street serves as a home away from home for national and international galleries.”

TW:   You’re a founding board member of Troy Town, a ceramics facility supporting artists. What is it about ceramics as a medium that continues to captivate or challenge you?

SM:   I met Aaron Angell when I worked at Modern Art and we’ve been friends ever since. In all honesty, I knew nothing about ceramics back then but through Aaron and Troy Town’s residents I have learnt a lot and become really passionate about clay. I took a throwing course at the pottery a few years ago, and, as a result, I’ve started collecting bits and pieces from the pottery. I’m chuffed with my Enrico David x Troy Town ceramic prawn, and when I was in LA earlier this year, previous No.9 Cork Street exhibiting artist Maddy Inez gifted me a ceramic green bowl which I LOVE.

TW:   You’re also a founding board member of the London Contemporary Music Festival. Who are you listening to at the moment, and how does music feed your creative thinking?

SM:   An area that interests me is the cross section of where art, music and performance collide.

In August 2022 my colleague Jason and I co-organised an Afro Cuban carnival on Cork Street as part of Frieze No.9 Cork Street programme. The music lineup– under the expert direction of Cuban music promoter Ruben Cordero who has worked with the Buena Vista Social Club and Irakere – focused on the West African and Latin-American diasporas. It rained all day, but it brought the chance for visitors to see Mayfair and the gallery in a fresh new light.

Following a recent outing to Wigmore Hall where LCMF’s Co-Founder Jack Sheen conducts, I’m listening to Laure M Hiendl and a go to album at home is Laraaji and Brian Eno’s Ambient 3: Day of Radiance. I also recommend Ghédalia Tazartès’s recordings. Tomorrow night I’m excited to go to the Barbican to see Actress and Suzanne Ciani live. Music is a great way to switch off from the world – and emails.

TW:   What’s your favourite Culturally Curious spot in Mayfair? A hidden gem or a place you return to for inspiration?

SM:   I love looking at the window displays of Maggs Brothers, a rare books and manuscripts bookshop in Shepherd Market. I stumbled upon it when researching Aubrey Beardsley’s illustrations for an exhibition which took place at Modern Art in 2012, when I worked there as a gallery assistant.

TW:   Who is your ultimate Monday Muse?

SM:   I can’t choose one, but I have two. The artists Zoe Paul and Kira Freije. Zoe is a childhood friend, and she exhibited her ceramic beaded curtains at No.9 Cork Street with her gallery Blank Projects in 2023. I met Kira through mutual friends after she had graduated from The Royal Academy. Kira often uses welded metal in her work; and she has a solo exhibition at the Hepworth Wakefield this autumn – I can’t wait to see it!

Zoe and Kira both work tirelessly in their studios, and despite the various constraints around artists’ costs, they continue to create ambitious sculptural works that evoke subjects that range from poetic materiality to permaculture.


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