Spotlight

Spotlight Esme Keenleyside Paints What Childhood Leaves Behind

Championed by Dame Tracey Emin DBE RA
The Wick Culture - When Morning Arrives, 2026, Oil on canvas, 30 x 36 cm
Above  When Morning Arrives, 2026, Oil on canvas, 30 x 36 cm
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The Wick Culture - Photo: Elissa Cray
Above  Photo: Elissa Cray
Interview
Esme Keenleyside
Photography
Elissa Cray
14 October 2026
Interview
Esme Keenleyside
Photography
Elissa Cray
14 October 2026
Childhood memory and the visual world around Margate are feeding Esme Keenleyside’s latest paintings. Keenleyside builds her paintings slowly, layer over thin layer until the paint thickens, so the surface starts to look like the soft, worn fur of a much-loved toy. Painting becomes a way of holding on to memory through touch. The Essex-born artist studied Fine Art at Winchester School of Art before being selected as one of nine international artists for the Tracey Emin Artist Residency in Margate in 2025. She is now working from TKE Studios in Margate, where she is developing a new body of work.
“The paintings I’m currently working on are inspired by old photos from childhood,” Keenleyside tells The Wick. “I will make drawings of the photos and then integrate them into my paintings.” Her sketchbooks provide another source, filled with observations including abandoned teddies and other things that catch her attention. Inspiration for colour comes from her surroundings too: “I take particular influence from the Margate skies in the colours that I use.” Books and music also shape Keenleyside’s work. What she is reading or listening to while she paints can affect her mood and, in turn, the work taking shape in the studio, while also inspiring its titles.

Visual influences, however, are something the artist approaches more selectively. Keenleyside tries not to focus too heavily on individual artists while painting, preferring to maintain her own voice, though exhibitions in London and artists she discovers through Instagram continue to inform the way she thinks about colour. The artists around the artist impact her in a different way: Keenleyside describes her daily conversations with friends at TKE Studios as fundamental to the development of her paintings.

Keenleyside’s Champion is Dame Tracey Emin DBE RA, the British artist and founder of TKE Studios and the Tracey Emin Artist Residency (TEAR). Emin first encountered Keenleyside’s work during the application process for TEAR. Even virtually, the paintings made an immediate impression.

“When I first saw her work, it was as images on a screen, part of her application for TEAR. Paintings of bears, teddy bears. They could have been cute if they weren’t so huge with such dramatic brush work. Slightly insane and wild. The combination was actually shocking.”

Emin has since watched the work change at close range.

“Over the last 18 months Esme has pushed her painting and subject matter into something very niche, something very personal but something we all relate to, moments in our lives when we become aware. A moment when time freezes and becomes an important memory.

She expresses the loss of these moments in a very understated and honest way, using photos from her childhood, abandoned stuffed toys and a love of the cutest animals. Childhood dreams fade, her paint fades and the memories appear. Whether it’s large full-on paintings or the smallest delicate water colours, Esme is on an exciting journey. I’m very proud that Tracey Emin Foundation is part of that.”

“If I had to describe Esme Keenleyside, I’d just say ‘Brilliant’ … Whether it’s large full-on paintings or the smallest delicate water colours, Esme is on an exciting journey.”

Dame Tracey Emin DBE RA

This journey reached an important point this year when Keenleyside was awarded the Tracey Emin Foundation Studio Prize at the end of her residency. She describes the prize as recognising “outstanding promise and dedication throughout the residency”, and it has given her a studio at TKE Studios for a year.

For Keenleyside, the importance of that space is difficult to separate from the work itself. She has been reading Virginia Woolf’s ‘A Room of One’s Own’, whose central idea has struck a particularly immediate chord as she settles into her new studio. The support of Emin and Tracey Emin Artist Residency Director Elissa Cray, she says, has given her the confidence to push the work further. Emin’s own assessment is considerably more succinct: “If I had to describe Esme Keenleyside,” she says, “I’d just say ‘Brilliant’.”

Frieze Week now gives London audiences the chance to encounter Keenleyside’s work for themselves. Following time in Athens with The Breeder Gallery, the artist is showing work with the gallery at this year’s Frieze. She is also included in ‘MONOCHROME’ at Ubicua Gallery, which is now open and runs until 31 December.

Back in Margate, she is developing a new body of work at TKE Studios and returning to another part of her practice. Before beginning the residency, Keenleyside curated exhibitions alongside making her own work, and she is now planning a group show in Margate for the coming months, potentially in connection with the city’s Off-Season festival in January.

For now, the studio remains the centre of things. Keenleyside’s own advice to another artist is suitably simple: “Spend as much time as you can in the studio. You never know when something interesting might come into your head, and you’ll want to be able to paint as soon as it happens.”

About the champion

The Wick Culture - Photo: Tracey Emin

Dame Tracey Emin DBE RA is a British artist whose practice spans painting, drawing, sculpture, film, photography, neon, needlework and installation. Drawing extensively on her own life, Emin has explored personal experience throughout her career, with works including My Bed (1998), which brought her international attention after its inclusion in the Turner Prize.

Emin represented Great Britain at the 52nd Venice Biennale in 2007 and was appointed Professor of Drawing at the Royal Academy of Arts in 2011. She was made a CBE in 2012 and a Dame in 2024 for services to art. In Margate, she established TKE Studios, subsidised professional artists’ studios, alongside the Tracey Emin Artist Residency, a free art school programme. Her recent major solo exhibitions include Tate Modern, London, in 2026.

Artist Fact File

Place of Birth

Essex, UK

Education

BA Fine Art, Winchester School of Art
Tracey Emin Artist Residency

Awards, Accolades

Tracey Emin Foundation Studio Prize, 2026
Selected as one of nine international artists for the Tracey Emin Artist Residency, 2025
Freelands Foundation Painting Prize, nominee, 2024
Nancy Balfour Painting Prize, winner, 2024

Current/recent exhibitions

Frieze, with The Breeder Gallery, 2026
MONOCHROME, Ubicua Gallery, until 31 December 2026
TEAR Final Show, 2026

Current/upcoming projects

Developing a new body of work at TKE Studios
Planning a group exhibition in Margate, likely as part of Off-Season

Spiritual guides, Mentors

Dame Tracey Emin and TKE artists
The eight artists Keenleyside worked alongside during the Tracey Emin Artist Residency
Technicians and tutors at Winchester School of Art
Her father, an artist whom Keenleyside describes as fundamental to her development as an artist and as a person

Advice

“Spend as much time as you can in the studio. You never know when something interesting might come into your head, and you’ll want to be able to paint as soon as it happens. Get out and see as much art as you can.”


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