The Wick are huge fans of the young British abstract painter
Rachel Jones, who has already received numerous accolades and acclaim, at only 34 years old (not to mentioning designing a Brit Award!). This anticipated exhibition at
Dulwich Picture Gallery is a landmark for Jones but also for the gallery, who open their entire main exhibition to a show by a single contemporary artist for the first time in its history.
Gated Canyons demonstrates why Jones has made a name for herself – its not only her striking, unforgettable palettes with contrasting bold hues, but her brilliant, seamless command of expressive, joyous mark-making with oil stick and oil pastels, moving between abstract and almost-recognisable motifs.
This completely new and never-seen-before body of work ranges from large-scale to intimate, and riffs on Dulwich Picture Gallery’s collection, and in particular a painting by Flemish artist Pieter Boel, Head of a Hound (1660-5). It’s a thrilling collision with the history of art, reseen, reinvigorated and reinterpreted for today. Jones is capable of making you think, but perhaps just as importantly, of making you smile.