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Viewing Daria Blum: Drip Drip Point Warp Spin Buckle at Claridge’s ArtSpace

Her work is “absurd, messy, serious and funny in terms” (according to the Eliza Bonham Carter, director of the Royal Academy Schools). The Swiss Canadian artist and musician Daria Blum is the inaugural recipient of the Claridges Royal Academy Schools Art Prize, awarded to the 2023 RA Graduate last by judges Yinka Shonibare and Eva Rothschild last year. Blum’s enthralling and encompassing practice interrogates architectural structures and environments and their effect on how bodies move through space, drawing on her background as a ballet dancer, as well as her matrilineal history in dance, tracing shifting political and social values through dominant theories and ideas.

Blum’s richly researched practice expands across several mediums, and for this solo show at Claridge’s ArtSpace, visitors will find the gallery utterly transformed with a multisensory, experiential installation of new works, including a raised metre-wide walkway around the perimeter of the space, where the artist will perform periodically throughout the show’s month-long run; theatre lights, sculptures, photographs and a three-channel video work.

The narrative premise of the exhibition follows a fictional character through an abandoned office building who discovers a cachet of materials; here the real and the invented blur as portraits of Blum’s late grandmother, the Ukrainian ballerina and choreographer Daria Nyzankiwska, appear, interwoven with archival recordings of dance rehearsals, and footage of a 2022 performance by Blum herself. An unmissable debut from a daring young artist who is undoubtedly on the rise.


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Dates
24 September 2024 — 25 October 2024

Viewing Turner Prize 2024 at Tate Britain

The Turner Prize celebrates its 40th year in 2024 – the prize was first awarded in 1984, to artist Malcom Morley, for two oil paintings inspired by a trip to Greece. That win sparked controversy as Morley had been living in New York for more than 20 years – and the Turner Prize hasn’t really stopped provoking the public since.

The Turner Prize represents the changing landscape of British contemporary art in many ways. This year, the exhibition returns to Tate Britain, and the shortlist – announced earlier this year – features four fascinating artists: Pio Abad, Claudette Johnson, Jasleen Kaur, and Delaine Le Bas. It’s a scintillating and diverse mix this year, from Le Bas’s savagely beautiful, throbbing immersive installation to the quiet, classical beauty of Johnson’s large-scale paintings and drawings. “All four of them make work that is full of life. They show how contemporary art can fascinate, surprise and move us, and how it can speak powerfully of complex identities and memories, often through the subtlest of details. In the Turner Prize’s 40th year, this shortlist proves that British artistic talent is as rich and vibrant as ever”, Alex Farquharson, Director of Tate Britain and Chair of the Turner Prize jury says.

The Turner Prize 2024 jury is comprised of Rosie Cooper, Director of Wysing Arts Centre, Ekow Eshun, Sam Thorne, Director General and CEO at Japan House London and Lydia Yee, curator and art historian. The winner will be announced on December 3rd.

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Dates
25 September 2024 — 16 February 2025

Viewing Lap-See Lam, Floating Sea Palace at Studio Voltaire

Artist Lap-See Lam’s new show refers to the ‘Sea Palace’, a three-floor floating Chinese restaurant, in the shape of a dragon, originally built in the 1990s to sail from Shanghai to Europe. It belonged to a Swedish businessman, Johan Wang, and eventually docked in Gothenburg, where it was later turned into a haunted funhouse.

Lap-See Lam has explored the Sea Palace in previous works at her first solo exhibition in the US last year and at the Nordic Pavilion at the Venice Biennale 2024. For her first institutional exhibition in the UK, Lam has produced a new series of works that riff on the mistranslation of cultural heritage, taking the Sea Palace as a starting point, tracing the intergenerational experience in its kitsch interiors, that replicate the decor of so many Chinese restaurants found across Europe, including the restaurant that belonged to the artist’s grandparents, who emigrated to Sweden from Hong Kong in the 1970s.

A new film is at the centre of Lam’s exhibition – Lap-See Lam, Floating Sea Palace – at Studio Voltaire, unfolding from the hybrid, layered interiors of the Sea Palace, drawing inspiration from Cantonese opera, and led by a mythological fish-hybrid character. Also referencing the elaborate bamboo scaffolding used for Cantonese Opera performances, Lam has created a large-scale installation with bamboo in the gallery space – creating an environment in which the film is staged and embedded. A thrilling and imaginative exploration of diasporic lives.

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Dates
18 September 2024 — 15 December 2024
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