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Viewing Roe Ethridge: Happy Birthday Louise Parker II at Gagosian

You’ll have to get to Gstaad to see the first part of this sprawling show of work by Roe Etheridge, but there is plenty to pique your imagination and curiosity at Gagosian’s Davies Street gallery in London, too. Etheridge is known for defying genres and merging visual cues, drawing on studio, commercial, fashion and editorial photography with signature saturated colours and formal compositions informed by rigorous study of the history of photography.

The show’s title refers to Louise Parker, a model Etheridge collaborated with on several occasions over the years since they first worked together in 2010. Using a mix of highly staged, overtly styled scenes and more whimsical, fanciful images, Etheridge carefully and cleverly questions the intertwining of life and its image.

Look out for Louise on David’s Refrigerator (2012–20) and Louise on Central Park Smoke (2023), where Ethridge depicts Parker in modeling spreads and more natural, intimate situations. Other works bring out tensions and contrasts between the real and the represented inherent in Etheridge’s work, such as Duck for Burberry (2023) produced for a promotional campaign for the British fashion house, and Candy and Comme. In another twist of direction is this expansive, non-linear exhibition, there’s also a portrait of the artist’s son, age 5 in 2015, a poignant reminder of the passage of time and the cyclical nature of life.

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Dates
23 July 2024 — 28 September 2024

Viewing Hetain Patel’s latest project ‘Come As You Really Are’ at The Hobby Cave at Grants

“There is a vulnerability in sharing something so personal, which often happens in private spaces around the responsibilities of daily life. But there is also a tremendous power in sharing collectively, which is at the heart of this project,” says artist Hetain Patel of Come As You Really Are. On view at The Hobby Cave at Grants in Croydon until October is a cornucopia of thousands of objects, all of them crafted, modified or collected by avid hobbyists all over the UK. There’s also a few things Patel has made too.

The presentation is intended as a portrait of creativity in the UK, showing how the little things become the big things, and how we infuse meaning into our surroundings, shaping our belongings to reflect our values. It all started from a nationwide open call from Patel, asking the public to share how they spend their spare time.

The handmade submissions by hobbyists Patel received are displayed together with new and existing works by Patel. The Other Suit, 2015, for example, is a Spiderman suit crafted at the kitchen table over months, following tutorials on YouTube. It sits next to Patel’s 2013 Fiesta Transformer, a robot sculpture built from his first car with the help of his father in the family garage in Bolton. Somerset Road, 2024, meanwhile, is a Ford Escort tufted by the artist in the pattern of his grandmother’s living room carpet. These personal details pay homage to the inventiveness of labourer migrant communities like Patel’s, and highlight the universal, insuppressible urge to invent.

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Dates
18 July 2024 — 20 October 2024
This exhibition is a homecoming for artist Liaqat Rasul in the town he was born and raised in – the perfect location for his first institutional solo exhibition. This retrospective, titled “NAU, NAU, DOH, CHAAR,” (Urdu for 9924) at Tŷ Pawb Art Gallery in Wrexham moves through significant moments in the artist’s career to date, from 1999, the year Rasul made his fashion label into a limited company, through to more recent collage and fibre works, delicate, intricately crafted pieces that often transform everyday ephemera and overlooked items.

“I’m a low tech and spontaneous kind of artist, scissors, scalpel, tapes, cutting mat rulers and pens biros and pencils are ready to hand.” Rasul has said. “I adore colour and working immediately with mark making. I often use a thread and needle to combine parts of the collage, I don’t do neat and precise I enjoy being a bit messy and not perfect, I think its much more energised and beautiful to view.”

Sometimes suspended and kinetic, like mobiles, using textures, like pleats, drawing on his background as fashion designer, Rasul uses a unique mix of symbols, patterns and colours to create astonishingly detailed and evocative pieces. “NAU, NAU, DOH, CHAAR” is a testament to Liaqat’s extraordinary and wide-ranging artistic practice and offers a glimpse into the diverse influences that inspire him, from Indian textiles (the artist lived and worked in the country for 12 years) to his advocacy for mental health and wellbeing issues. And above all, the takeaway from Rasul’s works is one of fostering kindness towards one another, which is something we all need to hear at this time.

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Dates
13 July 2024 — 02 November 2024
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