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Viewing Intricate hand-assembled collages by Sharon Walters

“If we don’t see ourselves represented back, it can act as a barrier to not succeeding”

Former Spotlight on The Wick and London-based artist, educator and project curator Sharon Walters is debuting her first London solo exhibition “Seeing Ourselves” at Hackelbury Fine Art. With meticulous hand-assembled collages, Walters celebrates the multifaceted identities of Black women, reshaping narratives and redefining cultural landscapes.

Drawing from diverse sources, including magazine clippings and personal photographs, she crafts a narrative of empowerment and representation. The title ‘Seeing Ourselves’ references the book by Frances Borzello which surveyed centuries of self portraits by white Western women artists. Walter’s work is a response to this absence of their own reflections in mainstream Western media, arts and cultural life.

In 2023, Walters was included in the group exhibition ‘Like Paradise,’ curated by Ekow Eshun, at Claridge’s ArtSpace.

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Dates
10 May 2024 — 06 July 2024
It’s over to Rome this week, for a special group exhibition curated by Catherine Loewe exploring famous artist couples. How do famous artist couples inspire each other? How does their passion influence their work? And when things get acrimonious – what happens to their art? Loewe’s salacious and intriguing premise for Tête-à-Tête suggests new ways of looking at well-known artists and their works, and unfolds a larger question about human relationships and creativity in general.

Presenting works by eight artist couples in dialogue with each other, the exhibition looks at the way artists’ romantic relationships behind closed doors inform and shape their professional lives and artistic practices – whether they work together, or separately: Charlotte and Philip Colbert, Annie Morris and Idris Khan, Shirin Neshat and Shoja Azari, and Nick and Rob Carter, are included, among others. Expect sparks to fly – as Loewe puts it “while relationships can be fertile ground for creativity, they are not without their challenges, requiring a high degree of tolerance and compromise, particularly when it comes to navigating the creative process.”

Loewe adds that “the mystery of two souls connected lies at the heart of this exhibition which celebrates love, union and the alchemy that happens when visions are shared and lives intertwined.”

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Dates
09 May 2024 — 06 July 2024

Viewing Revered ceramicist Dame Magdalene Odundo takes on the historic interiors of Houghton Hall

Dame Magdalene Odundo’s glittering thirty-year career has seen the ceramic artist become one of the most recognisable contemporary artists working with ceramics. Using traditional techniques to tell new stories about diasporic experiences, Odundo – who moved to the UK from Kenya in 1971 – has long engaged with a wide, intercultural range of influences and references, continuing to innovate within the ancient art form.

An expansive display of Odundo’s playful and poignant pieces, new and old, varying in scale and rich in expressions, will inhabit Houghton Hall’s grand, stately rooms this summer. Houghton Hall’s own political history – it was built for Britain’s first Prime Minister, Sir Robert Walpole – chimes with Odundo’s often politically-charged works, that are rooted in the shifting and challenging relationship we have with human bodies.

Look out for a new commission produced at the Wedgwood Factory, as well as Odundo’s spectacular installation of blown-glass vessels based on ancient Egyptian ear studs, Metamorphosis and Transformation (2011). Odundo’s works, brought into this opulent setting, propose a revelatory reimagining of the 18th century residence and its history, and position Odundo’s masterful oeuvre as an important landmark to match it.

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Dates
12 May 2024 — 29 September 2024
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