Our top picks of exhibitions together with cultural spaces and places, both online and in the real world.


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Viewing Erik Madigan Heck: The Tapestry at Sotheby’s

Twenty-one photographs, six paintings – and one very large tapestry. Award-winning artist Erik Madigan Heck is best known for his photography, but following a period of deep personal reflection and evolution, during which Heck looked to the historic tapestries of Impressionists, he began to reimagine what his pictures could do – and what form they might take. The result is The Tapestry, a selling exhibition that will be unveiled tomorrow at Sotheby’s.

“Old tapestries and figurative oil paintings provide me with a huge source of inspiration, and pushed me beyond photography into other artistic media”, Heck explains. “Most of my favourite artists paint from photographs, and I realized this whole time I’ve tried to do the opposite— make paintings out of photographs. So, for some of these works, I wanted to explore that idea in greater depth, through photographing details of historic paintings, re-colouring them, printing the results on canvas, and painting over them. I’m still tethered to photography, but this is an attempt to move beyond just photography.”

It isn’t the first time Heck has looked to other, more classical mediums for inspiration. His mother was a painter, and instilled in Heck a passion for the art form. As a child, Heck would spend countless hours visiting museums with his mother – and this latest body of work recalls the vitality and thrill of those visits at an impressionable age. Radiant and evocative, the works bend photographic and artistic genres into a radiant visual style that is uniquely Heck’s own.

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Dates
13 September 2024 — 26 September 2024

Viewing Phyllida Barlow Unscripted at Hauser & Wirth Somerset

The long late summer days are calling us to the freshness of the countryside: a few hours by train from London will take you to the picturesque village of Bruton, home to Hauser & Wirth Somerset. Alongside the glorious blooming wildflower gardens, and the enticing menu on offer at the resident restaurant, the current cultural offering is a solo exhibition devoted to the late, legendary Phyllida Barlow, who passed away last year aged 78.

This wonderful exhibition pays homage to the British sculptor, mother of five, and stalwart arts educator, who taught for four decades at the Slade – her former students are an illustrious group, and count Rachel Whiteread and Nairy Baghramian, Prem Sahib and Jessie Flood-Paddock among them. Barlow’s contributions to sculpture – as this exhibition, curated by Frances Morris, shows – were outstanding and astonishingly inventive, with a myriad ideas on how to present and make sculpture, with unconventional materials and arrangements in space, and a good deal of humour and heart.

unscripted also brings Barlow’s work full circle: it was at Hauser and Wirth Somerset ten years ago that Barlow put on her first solo exhibition with Hauser & Wirth, inaugurating their new galleries in the English countryside.

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Dates
25 May 2024 — 05 January 2025

Viewing Donna Huddleston: Company at White Cube Mason’s Yard

The latest in a series of exhibitions Inside the White Cube, organised since 2011 at White Cube to showcase work by artists not represented or previously exhibited by the gallery, is Donna Huddleston: Company. Though she has presented her drawings to the public before – including at the Drawing Room in 2019 – this solo exhibition is the first time Huddleston has ever shown paintings, revealing a suite of new large-scale acrylic works.

Huddleston’s background is in set and costume design, and this becomes apparent in her approach, where drawing characters and their clothing is the beginning of rich and exploratory worlds, creating a sense of play and possibility, stylistically influenced by the technical drawings she used to do at theatre design school, graphic, flat and meticulously constructed fabulations. The scale of the figures Huddleston has made for Company also ventures into new ground; this time she’s worked at life size, so the figures feel present in the room. Though they touch on references taken from film, theatre, literature and classical painting, the characters are difficult to pin down to a time or place, inviting projection and imagination.

They might also be seen as self-portraits of the artist, to an extent. “When you paint figures there’s always an element of yourself in them.” Huddleston has said. “There’s an element of yourself in everything. I do find my face can appear in some pictures. I’m physically feeling the figure as I paint them – their posture, their stance, their composition. So I think naturally I place myself into them.”

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Dates
06 September 2024 — 28 September 2024
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