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Viewing Francis Alÿs: Ricochets at Barbican Centre

The Barbican’s summer blockbuster show sees the return of the Belgian artist, Francis Alÿs – who has not presented a major solo exhibition in the UK for more than 15 years. That might be in part because Alÿs has spent the last two decades travelling the world making his film series, Children’s Games – which is at the centre of this exhibition, titled Ricochets.
Ricochets

Starting in 1999, Alÿs began to record children at play in 15 countries around the world: at the Barbican we see children playing musical chairs in Mexico, racing snails in Belgium, riding makeshift chivichanas at breakneck speed down the streets of Havana, and playing rubi in the Congo – a kind of flick soccer, with a meticulously constructed pitch built with broken sticks in the sand. The upper galleries, meanwhile, invite visitors to participate in their own versions of various games, in a series of immersive installations.

While what surrounds the children often gives a sense of poverty, disenfranchisement or conflict, the children’s creativity and ingenuity, their sense of and joy, is what prevails. The multi-channel presentation at the Barbican is particularly poignant, since the site was razed to the ground during the Second World War, and later became one of the first adventure playgrounds. Alÿs’s documentation pays tribute to children’s creative resilience and the power of play.

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Dates
27 June 2024 — 01 September 2024

Viewing Roe Ethridge: Happy Birthday Louise Parker II at Gagosian

You’ll have to get to Gstaad to see the first part of this sprawling show of work by Roe Etheridge, but there is plenty to pique your imagination and curiosity at Gagosian’s Davies Street gallery in London, too. Etheridge is known for defying genres and merging visual cues, drawing on studio, commercial, fashion and editorial photography with signature saturated colours and formal compositions informed by rigorous study of the history of photography.

The show’s title refers to Louise Parker, a model Etheridge collaborated with on several occasions over the years since they first worked together in 2010. Using a mix of highly staged, overtly styled scenes and more whimsical, fanciful images, Etheridge carefully and cleverly questions the intertwining of life and its image.

Look out for Louise on David’s Refrigerator (2012–20) and Louise on Central Park Smoke (2023), where Ethridge depicts Parker in modeling spreads and more natural, intimate situations. Other works bring out tensions and contrasts between the real and the represented inherent in Etheridge’s work, such as Duck for Burberry (2023) produced for a promotional campaign for the British fashion house, and Candy and Comme. In another twist of direction is this expansive, non-linear exhibition, there’s also a portrait of the artist’s son, age 5 in 2015, a poignant reminder of the passage of time and the cyclical nature of life.

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Dates
23 July 2024 — 28 September 2024

Viewing Hetain Patel’s latest project ‘Come As You Really Are’ at The Hobby Cave at Grants

“There is a vulnerability in sharing something so personal, which often happens in private spaces around the responsibilities of daily life. But there is also a tremendous power in sharing collectively, which is at the heart of this project,” says artist Hetain Patel of Come As You Really Are. On view at The Hobby Cave at Grants in Croydon until October is a cornucopia of thousands of objects, all of them crafted, modified or collected by avid hobbyists all over the UK. There’s also a few things Patel has made too.

The presentation is intended as a portrait of creativity in the UK, showing how the little things become the big things, and how we infuse meaning into our surroundings, shaping our belongings to reflect our values. It all started from a nationwide open call from Patel, asking the public to share how they spend their spare time.

The handmade submissions by hobbyists Patel received are displayed together with new and existing works by Patel. The Other Suit, 2015, for example, is a Spiderman suit crafted at the kitchen table over months, following tutorials on YouTube. It sits next to Patel’s 2013 Fiesta Transformer, a robot sculpture built from his first car with the help of his father in the family garage in Bolton. Somerset Road, 2024, meanwhile, is a Ford Escort tufted by the artist in the pattern of his grandmother’s living room carpet. These personal details pay homage to the inventiveness of labourer migrant communities like Patel’s, and highlight the universal, insuppressible urge to invent.

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Dates
18 July 2024 — 20 October 2024
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