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Viewing  A long overdue retrospective of conceptual art trailblazer Yoko Ono

John Lennon once quipped that his wife Yoko Ono was “the world’s most famous unknown artist”. Tate Modern’s long overdue retrospective of her work rights this wrong. Born in Tokyo nearly 91 years ago, Ono was a pioneer of early conceptual and participatory art, film and performance, as well as being a musician and a campaigner for world peace. She invited gallery goers to cut her clothes off for “Cut Piece” in 1964 a decade before Marina Abramovic asked visitors to use scissors, wire and a gun “on me as desired” in “Rhythm O”.

That work and other seminal pieces, such as the once banned “Film No.4 (Bottoms)” from 1966-7 – starring a parade of bare buttocks – are explored in the show, which charts the development of her practice over the decades. Her “Refugee Boat”, which visitors are encouraged to cover with messages, from 1960 couldn’t feel more current. Tate Modern’s retrospective reveals that Ono has always been an artist ahead of her time.

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Dates
15 February 2024 — 01 September 2024

Viewing:  Join AI pioneer Refik Anadol’s digital voyage beneath the sea

Visitors to Refik Anadol’s new London exhibition Echoes of the Earth: Living Archive will find themselves plunged into an underwater landscape and immersed in a forest inside the Serpentine North. The Turkish artist, technologist and AI pioneer trained a unique AI model with approximately five billion images of corals openly accessible online to create his new sound and video experience “Artificial Realities: Coral” (2023). The AI generates abstracted coral images to construct new visuals and colour combinations based on the datasets, transporting viewers to the sea’s watery depths.

Anadol’s Serpentine solo also includes the first UK showing of “Living Archive: Nature,” first exhibited at the World Economic Forum in Davos this year, turning part of the gallery into the AI model’s interpretation of a rainforest, complete with data of flora, fungi and fauna from 16 rainforest sites around the world. Through these installations, Anadol explores the ways in which technology dominates our daily lives, transforming the ways we perceive and experience time and space. Prepare to be mesmerised.

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Dates
16 February 2024 — 07 April 2024

Viewing Steve McQueen’s haunting documentary Occupied City: a multi-layered must-watch

Steve McQueen’s eagerly-awaited documentary Occupied City explores humanity at both its cruellest and kindest. The Turner Prize-winning artist roams his lens over the streets and buildings of an Amsterdam reeling from the pandemic in 2020, while telling stories of the Nazi occupation that still haunt his adoptive city. Scenes from the extraordinary times we have all lived through overlay door-to-door accounts of resistance, collaboration, bravery and denial during the occupation in this devastating but life-affirming collision of the past and present.

The film draws on the book Atlas of an Occupied City (Amsterdam 1940-1945), written by historian and filmmaker Bianca Stigter, who is also McQueen’s partner. It travels to around 130 addresses in the city to uncover what went on behind closed doors, including Gerrit van der Veen College, a school attended by the couple’s daughter that once served as the HQ of the Sicherheitspolizei, or German security police. No archival footage or interviews are included, however; instead a voiceover by Melanie Hyams, a young British-Jewish actor, reads descriptions of each place, and who lived or worked there, as McQueen pans around the contemporary scene. His images are spliced with the sudden eruption of street protests calling for freedom, while decrying racism and climate change. History is all around us, it seems, and we are constantly creating it. Occupied City is a multi-layered must watch – just be prepared for a four-hour stint.

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Dates
09 February 2024
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