Our top picks of exhibitions together with cultural spaces and places, both online and in the real world.


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Viewing Dazzle Camouflage

An art match made in heaven.

Anna Liber Lewis is setting the art world alight with Dazzle Camouflage – a solo exhibition hosted by Benjamin Parsons x Hannah Payne in North Parade Avenue, Oxford.

Using her unique language of painterly abstraction, Liber Lewis’ paintings are organised around a self-reinforcing visual system, whereby a set of formal parameters informs how the image is constructed.

These new paintings by Liber Lewis are made through a process of building and erasing, using the language of print and drawing, working across multiple canvases simultaneously, responding and reacting to each other in a generative process. Using the power dynamic created by colour, line and shape, Anna Liber Lewis is interested in how the retina of the human eye collects imagery, as the brain completes scattered clues into coherent forms.

‘Dazzle camouflage’ or ‘dazzle painting’, an idea introduced by marine artist Norman Wilkinson during the First World War, was created not to conceal but to throw the enemy off course. This form of camouflage was used to help protect ships by employing techniques that resembled those of avant-garde British painters such as Wyndham Lewis and David Bomberg, consisting of complex brightly coloured zig-zag lines and geometric shapes.


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Dates
08 September 2023 — 30 September 2023

Viewing Gabriel de la Mora: FRAGMENTXS

Scoot over to Timothy Taylor to be privy to the piercing beauty of Mexican artist Gabriel de la Mora’s new paintings in his third exhibition at the blue-chip gallery. Piecing together four interconnected and ongoing series, De la Mora presents 29 paintings that dive into the intersection of nature and abstraction. Complied of both organic and synthetic materials, the artists create patterns replicated in the natural world, from butterfly patterns or the ornamentation of bird features to the subtle variety in white hues of eggshells.

Repetitive and deeply meditative, the viewer is brought back to nature. Through found feathers, egg shells and butterfly wings, De la Mora offers a connection to the earth, drawing on both the aesthetic and conceptual elements of the materials and repurposing them into visual art. Holding onto the beauty of nature whilst also changing the function of the materials to pose a perspective of nature. Combining art history, scientific research and creative experimentation, De la Mora makes way for new ways of thinking and seeing. Not to be missed, head to Timothy Taylor to meditate on the work of Gabriel de la Mora.

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Dates
31 August 2023 — 30 September 2023

Viewing This Island Sunrise

The game of thrones.

Head to Sadie Coles to experience in the curation of Simon Andrew’s exhibition ‘This Island Sunrise.’ Celebrating improvised British design, the show sees a dialogue between three thrones spanning four centuries, with designs by acclaimed British designer Tom Dixon (b.1959) and Eduardo Paolozzi (1924-2005). Sitting at the heart of the installation is the mighty Turner’s Throne (c.1640), created by an unknown 17th-century woodturner. Oversized and leaking with authority, this throne bears witness to the arching historical narrative of modern Britain that is revealed through both the contrast and similarities of the contemporary design of Tom Dixon’s ‘Skeleton Throne’ (1985). Offering a different perspective to the fellow thrones, Paolozzi’s ‘Sculptor’s Chair’ (1985-87) holds an attitude of self-determination found in the 20th century.

The thrones gather to start a discussion around origins, boundaries, authority and identity. Sat around them are found objects listening in. Surrounded by objects once used in the domestic setting, now holding a new value by being on display, the exhibition resembles the characteristic’s an antique shop. Join the conversation at Sadie Coles.

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Dates
31 August 2023 — 24 September 2023
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