Our top picks of exhibitions together with cultural spaces and places, both online and in the real world.


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Viewing MIRROR OF THE META: Incredible Reality

Timed to coincide with Art Basel Hong Kong and the Chinese New Year (happy Fire Horse!) “MIRROR OF THE META: Incredible Reality” is a solo exhibition by Tim Yip presented at Asprey Studio presents a contemplative exploration of mythology, memory and technology. The Hong Kong–born artist, widely known for winning the Academy Award for Best Art Direction for Crouching Tiger, Hidden Dragon (2000), brings together sculpture, photography and costume design in a multidisciplinary installation that reflects his long-standing interest in merging Eastern traditions with contemporary ideas.

The exhibition centres on Yip’s concept of imagination as a space where past and future coexist. Sculptures from his Mythology series draw inspiration from both Chinese folklore and classical Western mythology, referencing figures such as mountain spirits and the story of Icarus to explore themes of ambition, transformation and human aspiration. These works highlight Yip’s distinctive visual language, which blends symbolic storytelling with refined craftsmanship.

Photography also plays an important role in the exhibition. Images taken across different locations—from temples in Bali to landscapes near the Arctic Circle—reflect Yip’s fascination with atmosphere, ritual and environmental change. These photographs capture moments of ambiguity and wonder, suggesting how landscapes can evoke mythic or psychological states.

A sculptural reinterpretation of a traditional qípáo dress further emphasises Yip’s interest in cultural hybridity, combining historical references with contemporary design. Overall, the exhibition presents a poetic meditation on how imagination connects myth, technology and lived experience in the modern world.

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Viewing A Year in Normandie and Some Other Thoughts about Painting

A free David Hockney exhibition opens at Serpentine North Gallery this week, the artist’s first exhibition at the galleries. Titled A Year in Normandie and Some Other Thoughts about Painting, presents new and recent work by one of Britain’s most influential contemporary artists.

The show’s spectacular centrepiece is a monumental digital frieze A Year in Normandie (2020–21), a ninety-metre-long landscape created on an iPad while the artist was living in rural France during the Covid-19 pandemic. Inspired by the narrative sweep of the medieval Bayeux Tapestry, the work records the changing seasons in the garden surrounding Hockney’s Normandy studio, unfolding as a continuous panorama of trees, blossoms, and shifting light. Displayed for the first time in London, the frieze invites viewers to walk alongside it, experiencing time as a visual journey through the year. The exhibition also includes a series of new still lifes and portraits depicting members of Hockney’s close circle, unified by a simple gingham tablecloth motif and a direct, frontal composition.

Together, these works reflect Hockney’s long-standing fascination with perception and the act of looking. Even at eighty-eight, he continues to experiment with technology and format, using digital tools to capture everyday beauty. Set within the surroundings of Kensington Gardens, the exhibition encourages visitors to slow down and observe the rhythms of nature—an idea that has remained central to Hockney’s practice for more than six decades.

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Viewing Catherine Opie: To Be Seen

Just opened at the National Portrait Gallery is this unmissable exhibition by the phenomenal American photographer Catherine Opie, whose works have shaped our understanding about representation, the power of visibility and the possibility of photography since the 1990s.

Her images feature friends, family and people from her community, as well as well-known culture figures and regular people, pre-school children and high school footballers, surfers and protestors – and herself. Moving between the individual and the collective, this exhibition brings together some of Opie’s most influential works over the past thirty years, including her Self-Portrait Nursing, as well as her early series Being and Having (1991), which features portraits of her friends within the queer community. These images challenge conventional ideas of gender and identity, presenting sitters who adopt playful yet confrontational performances of masculinity. Opie’s portraits often draw inspiration from historical painting traditions, particularly the formal compositions of artists such as Hans Holbein the Younger, while simultaneously depicting contemporary communities that have often been excluded from mainstream representation.

Elsewhere in the National Portrait Gallery, the show includes her newly unveiled commission, a portrait of Elton John and his family, and a series of interventions staged among the oil paintings, demanding to be seen, and recognised.

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Photo: © David Parry/ Royal Academy of Arts

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Storehouse, including over 100 mini
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Happenings V&A East Storehouse

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