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Viewing Notting Hill Carnival 2026

The art of community.

Notting Hill Carnival turns 60 this August, returning across the bank holiday weekend with massive scale. The Diamond Jubilee edition runs from Saturday’s Panorama through Sunday’s J’ouvert and Children’s Day to Monday’s Main Parade, with sound systems and stages carrying the weekend from street to street.

The outdoor Carnival traces back to 1966, when local resident and social worker Rhaune Laslett organised a children’s street party in a neighbourhood marked by racial tension and poor housing. Russell Henderson’s Steel Band began moving through Portobello Road with pans around their necks, and what began as a community gathering quickly blossomed into one of London’s defining cultural events.

Six decades later, Carnival is simultaneously spectacle and social infrastructure. Steelpan, calypso, soca, mas bands and sound systems keep the weekend loud, but many of the communities behind them work all year, offering skills, rehearsals, creative training and belonging well beyond August.

The weekend begins on Saturday 29 August with Panorama and Junior Panorama at Emslie Horniman’s Pleasance Park, celebrating steelpan at competitive volume. Sunday starts early with J’ouvert at 6am, followed by the Children’s Day Parade, sound systems and stages. On Monday, the Main Parade begins at 10.30am, bringing handmade costumes, bands and joyous movement through the streets. At 3pm on both Sunday and Monday, Carnival pauses for a 72-second silence in memory of the 72 lives lost in the Grenfell Tower fire, as well as members of the Carnival community who are no longer here.

This is London at its most alive. Come in your boldest and brightest outfit and ready to celebrate community, creativity and impossible-to-contain joy.

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Viewing Celebration of Makers

Hands on history.

Two Temple Place opens its doors this August for Celebration of Makers, a free four-day festival dedicated to the craft embedded in one of London’s most ornate interiors. Presented with City & Guilds of London Art School, the four-day programme puts making back into the building that depends on it, with demonstrations, workshops, talks and student work throughout the festival.

Two Temple Place is all carved wood, stone, stained glass and gilded detail, a building made for close looking. The festival brings this craftsmanship into the spotlight, with demonstrations, conservation insights and the chance to see the hands behind the ornament.

Across Thursday to Sunday, visitors can see demonstrations in wood carving, stone carving, gilding, book and paper conservation and stained glass, alongside a City & Guilds students’ showcase. Crafty Fox Market returns on Saturday with independent makers, while family workshops and drop-in activities bring a hands-on route into the programme.

The evening talks extend the conversation, including The Hands that Made the Victorian World and Making Two Temple Place: The architect John Loughborough Pearson. Free admission all weekend, with some evening talks ticketed. This festival is proof that good making rewards anyone willing to look closely.

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Viewing Luke Jerram: Gaia

Earth to Southbank.

Luke Jerram’s Gaia comes to the Royal Festival Hall for a special late-summer weekend, suspending a seven-metre Earth above the stage and letting visitors see the planet from a rather different angle. Built from detailed NASA imagery, the touring artwork recreates the Earth in three dimensions and is designed to provoke the ‘overview effect’: the shift in perspective astronauts describe when looking back at the world from space.

Jerram has long worked between sculpture, installation and live art, often using spectacle to smuggle in questions about planetary health. This can be seen clearly in Gaia – what is beautiful from a distance is unsettling the longer you stand beneath it, as the planet appears both monumental and perilously suspended in the room.

Southbank Centre is also pairing the installation with music. On Friday 28 August, GAIA floats above the BBC Concert Orchestra for Sounds of the Earth, a strings programme including Vaughan Williams, Hildur Guðnadóttir, Dobrinka Tabakova, Barber and Arvo Pärt. On Saturday 29 August, Eric Whitacre brings Eternity in an Hour to the same stage, an electro-choral performance made for the glow of Jerram’s Earth.

On Sunday 30 August, the installation opens to the public, with a surround-sound composition by BAFTA award-winning composer Dan Jones playing alongside the sculpture. Seen from below, Gaia turns the Earth into something to marvel at and care for. A stunning reminder that the world’s beauty is not separate from its vulnerability.
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